{"id":9668,"date":"2019-08-14T16:00:54","date_gmt":"2019-08-14T16:00:54","guid":{"rendered":"https:\/\/pluralensemble.com\/repertoire\/"},"modified":"2024-07-03T19:02:07","modified_gmt":"2024-07-03T19:02:07","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/pluralensemble.com\/en\/ensemble\/repertoire\/","title":{"rendered":"Repertoire"},"content":{"rendered":"\t\t
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Repertoire<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/i><\/span><\/div>Download repertoire PDF<\/span><\/div><\/a>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A<\/a> B<\/a> C<\/a> D<\/a> E<\/a> F<\/a> G<\/a> H<\/a> I<\/a> J<\/a> K<\/a> L<\/a> M<\/a> N O<\/a> P<\/a> Q<\/a> R<\/a> S<\/a> T<\/a> U<\/a> V<\/a> W<\/a> X<\/a> Y<\/a> Z<\/a><\/span><\/h4>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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A<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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ABRAHAMSEN, Hans <\/span>\u00b7<\/b> Winternacht<\/span><\/i><\/p>\n

AD\u00c1MEK, Ondrej <\/span>\u00b7<\/b> Sinuous voices<\/span><\/i><\/p>\n

ADAMS, John <\/span>\u00b7 <\/b>Chamber Symphony<\/span><\/i><\/p>\n

AD\u00c8S, Thomas <\/span>\u00b7<\/b> Catch, Op. 4<\/span><\/i><\/p>\n

AD\u00c8S, Thomas <\/span>\u00b7<\/b> Court Studies from <\/span><\/i>The Tempest<\/span><\/p>\n

ADLER, Ayal <\/span>\u00b7<\/b> Misterioso<\/span><\/i><\/p>\n

ADOMIAN, Lan <\/span>\u00b7<\/b> Auschwitz<\/span><\/i><\/p>\n

AGER, Klaus <\/span>\u00b7<\/b> Breccia<\/span><\/i><\/p>\n

AGUIRRE, Louis <\/span>\u00b7<\/b> Oba Kosso<\/span><\/i><\/p>\n

ALB\u00c9NIZ, Isaac <\/span>\u00b7<\/b> Iberia, primer cuaderno<\/span><\/i><\/p>\n

ALIAJ, C\u00e9sar <\/span>\u00b7<\/b> Diez miniaturas<\/span><\/i><\/p>\n

ALONSO, Edith <\/span>\u00b7<\/b> \u00c9ter<\/span><\/i><\/p>\n

ALSINA, Ariadna <\/span>\u00b7<\/b> Errant Swarm<\/span><\/i><\/p>\n

\u00c1LVAREZ, Javier <\/span>\u00b7<\/b> Temazcal<\/span><\/i><\/p>\n

ANDR\u00c9, Mark <\/span>\u00b7<\/b> Iv12<\/span><\/i><\/p>\n

ANDREYEV, Samuel <\/span>\u00b7<\/b> \u00c0 propos du concert de la semaine derni\u00e8re<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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APERGHIS, Georges <\/span>\u00b7<\/b> R\u00e9citations<\/span><\/i><\/p>\n

ARACIL, Alfredo <\/span>\u00b7 <\/b>Tientos<\/span><\/i><\/p>\n

ARIAS, Helga <\/span>\u00b7 <\/b>A Common Sense<\/span><\/i><\/p>\n

ARIAS BAL, Javier <\/span>\u00b7<\/b> Cantigas de amigo de Mart\u00edn Codax<\/span><\/i><\/p>\n

ARIAS BAL, Javier <\/span>\u00b7 <\/b>Happinesses<\/span><\/i><\/p>\n

ARIAS BAL, Javier <\/span>\u00b7 <\/b>La habitaci\u00f3n parada<\/span><\/i><\/p>\n

ARIAS BAL, Javier <\/span>\u00b7 <\/b>Sombra contra el muro<\/span><\/i><\/p>\n

ARISMENDI, Diana <\/span>\u00b7 <\/b>Cantos II<\/span><\/i><\/p>\n

ARIZA, Manuel <\/span>\u00b7 <\/b>The West End<\/span><\/i><\/p>\n

ARROCHA, Alejandro <\/span>\u00b7 <\/b>Rust<\/span><\/i><\/p>\n

ARTERO, J. Manuel <\/span>\u00b7 <\/b>Bajo el trazado de \u00cdcaro<\/span><\/i><\/p>\n

ASKENAR, Rubens <\/span>\u00b7 <\/b>Left Ajar<\/span><\/i><\/p>\n

AURIC, George<\/span> \u00b7<\/b> Imagina<\/span><\/i><\/p>\n

\u00c1VILA, Juli\u00e1n <\/span>\u00b7<\/b> Pronomos\u2019 Space<\/span><\/i><\/p>\n

AZEVEDO, Sergio <\/span>\u00b7 <\/b>Three American Portraits<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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B<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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BACEWICZ, Gra\u017cyna <\/span>\u00b7 <\/b>Capricho polaco<\/span><\/i><\/p>\n

BACH, Johann Sebastian <\/span>\u00b7<\/b> Cantata del Caf\u00e9<\/span><\/i>, BWV 211<\/span><\/p>\n

BACH, Johann Sebastian <\/span>\u00b7<\/b> Corales para \u00f3rgano (transcr.)<\/span><\/p>\n

BACH, Johann Sebastian <\/span>\u00b7<\/b> Cuatro Corales <\/span><\/i>(transcr.)<\/span><\/p>\n

BACH, Johann Sebastian <\/span>\u00b7 <\/b>El arte de la fuga <\/span><\/i>(transcr.)<\/span><\/p>\n

<\/span>BACH, Johann Sebastian <\/span>\u00b7 <\/b>Ofrenda Musical <\/span><\/i>(transcr.)<\/span><\/p>\n

BACH, Johann Sebastian <\/span>–<\/b> Suite for cello no. 6 solo in D major, BWV 1012 (trans. for accordion by I\u00f1aki<\/span> Alberdi)<\/span><\/p>\n

BACH, Johann Sebastian <\/span>\u00b7<\/b> Variaciones Goldberg<\/span><\/i><\/p>\n

BADALO, In\u00e9s <\/span>\u00b7<\/b> Iridiscencia<\/span><\/i><\/p>\n

BADALO, In\u00e9s <\/span>\u00b7<\/b> Trigramas<\/span><\/i><\/p>\n

BALDINI, Christian <\/span>\u00b7<\/b> As if Making a Confession<\/span><\/i><\/p>\n

BALL, Hugo <\/span>\u00b7<\/b> Sechs Laut \u2013 und Klanggedichte<\/span><\/i><\/p>\n

BARCE, Ram\u00f3n <\/span>\u00b7<\/b> Periodos en nivel Re<\/span><\/i>BARRY, Gerald <\/span>Trumpeter<\/span><\/i><\/p>\n

BARTHOLOM\u00c9E, Pierre <\/span>\u00b7<\/b> Studie<\/span><\/i>BART\u00d3K, B\u00e9la <\/span>\u00b7<\/b> Contrastes<\/span><\/i><\/p>\n

BART\u00d3K, B\u00e9la <\/span>\u00b7<\/b> Siete piezas del<\/span> Mikrokosmos<\/span><\/i><\/p>\n

BART\u00d3K, B\u00e9la <\/span>\u00b7<\/b> Sonata para dos pianos y<\/span>percusi\u00f3n<\/span>ARTOLOM\u00c9, Pierre <\/span>\u00b7 <\/b>Stude<\/span><\/i><\/p>\n

BAUCKHOLT, Carola <\/span>\u00b7<\/b> Luftwurzen<\/span><\/i><\/p>\n

BAULD, Alison <\/span>\u00b7<\/b> Banquo\u2019s Buried<\/span><\/i><\/p>\n

BAUER, Andrzej <\/span>\u00b7<\/b> Duotone<\/span><\/i><\/p>\n

BELDA, Mar\u00eda de los \u00c1ngeles <\/span>\u00b7<\/b> Isherad<\/span><\/i><\/p>\n

BENEDETTO, Andrea <\/span>\u00b7<\/b> Medusa<\/span><\/i><\/p>\n

BENEDETTO, Andrea <\/span>– <\/b>Sequence V <\/span><\/i>from <\/span>Sept crimes de l’amour <\/span><\/i>for instrumental ensemble (orchestration of the homonymous work for voice, clarinet and percussion, op. 55 by G. Aperghis)<\/span><\/p>\n

BENJAMIN, George <\/span>\u00b7<\/b> Fantas\u00eda VII de Henry Purcell<\/span><\/i><\/p>\n

BENNET, Ed <\/span>\u00b7 <\/b>Strange Friction<\/span><\/i><\/p>\n

BERG, Alban <\/span>–<\/b> Four pieces for clarinet and piano, Op.5<\/span><\/p>\n

BERG, Alban <\/span>–<\/b> Piano Sonata<\/span><\/p>\n

BERG, Alban <\/span>– <\/b>Chamber Concerto<\/span><\/p>\n

BERGER, Jonhatan <\/span>\u00b7<\/b> Yaqira<\/span><\/i><\/p>\n

BELLUSCI, Miguel <\/span>\u00b7<\/b> Quattro Immagini di Plataci<\/span><\/i><\/p>\n

BERGER, Jonhatan <\/span>\u00b7<\/b> Sink or swim<\/span><\/i><\/p>\n

BERGER, Roman <\/span>\u00b7<\/b> Ep\u00edlogo<\/span><\/i><\/p>\n

BERIO, Luciano <\/span>\u00b7<\/b> Chamber Music<\/span><\/i><\/p>\n

BERIO, Luciano <\/span>\u00b7 <\/b>Quattro canzoni popolari<\/span><\/i><\/p>\n

BERIO, Luciano <\/span>–<\/b> Sequenza I <\/span><\/i>for flute<\/span><\/p>\n

BERIO, Luciano <\/span>–<\/b> Sequenza II <\/span><\/i>for harp<\/span><\/p>\n

BERIO, Luciano <\/span>\u00b7<\/b> Sequenza III <\/span><\/i>para voz<\/span><\/p>\n

BERIO, Luciano <\/span>–<\/b> Sequenza IV <\/span><\/i>for piano<\/span><\/p>\n

BERIO, Luciano <\/span>–<\/b> Sequenza VI <\/span><\/i>for viola<\/span><\/p>\n

BERIO, Luciano <\/span>–<\/b> Sequenza VII <\/span><\/i>for oboe<\/span><\/p>\n

BERIO, Luciano <\/span>–<\/b> Sequenza VIII <\/span><\/i>for violin<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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BERIO, Luciano <\/span>–<\/b> Sequenza IX <\/span><\/i>for clarinet<\/span><\/p>\n

BERIO, Luciano <\/span>–<\/b> Sequenza X <\/span><\/i>for trumpet and piano resonance<\/span><\/p>\n

BERIO, Luciano <\/span>–<\/b> Sequenza XI <\/span><\/i>for guitar<\/span><\/p>\n

BERIO, Luciano <\/span>\u00b7<\/b> L\u00ednea<\/span><\/i><\/p>\n

BERIO, Luciano <\/span>\u00b7<\/b> O King<\/span><\/i><\/p>\n

BERIO, Luciano <\/span>\u00b7<\/b> Folk Songs<\/span><\/i><\/p>\n

BERMEJO, <\/span>Carlos <\/span>\u00b7<\/b> Zement<\/span><\/i><\/p>\n

BILLONE, Pierluigi <\/span>\u00b7<\/b> Legno.Edre II.Edre<\/span><\/i><\/p>\n

BIRTWISTLE, Harrison <\/span>\u00b7<\/b> The Woman and the Hare<\/span><\/i><\/p>\n

BIRTWISTLE, Harrison <\/span>\u00b7<\/b> Linoi<\/span><\/i><\/p>\n

BLAAUW, Marco <\/span>\u00b7<\/b> Movement from songs from Rhiannon<\/span><\/i><\/p>\n

BLARDONY, Sergio <\/span>\u00b7 <\/b>Himno a la intemperie<\/span><\/i><\/p>\n

BLARDONY, Sergio <\/span>\u00b7 <\/b>Y apenas paso la mano por el vac\u00edo<\/span><\/i><\/p>\n

BLASCO, Julio Andr\u00e9s <\/span>\u00b7 <\/b>Cinco piezas breves<\/span><\/i><\/p>\n

BLANCO, Josu\u00e8 <\/span>\u00b7 <\/b>Situaci\u00f3n insostenible<\/span><\/i><\/p>\n

BOISMORTIER, Joseph Bodin de <\/span>– <\/b>Suite in B minor<\/span><\/p>\n

BORRED\u00c1, Adri\u00e1n <\/span>\u00b7<\/b> El c\u00e1ntaro roto<\/span><\/i><\/p>\n

BOULEZ, Pierre <\/span>\u00b7<\/b> Anth\u00e8mes<\/span><\/i><\/p>\n

BOULEZ, Pierre <\/span>\u00b7<\/b> D\u00e9rive 1<\/span><\/i><\/p>\n

BOULEZ, Pierre <\/span>\u00b7 <\/b>D\u00e9rive 2 <\/span><\/i> <\/p>\n

BOULEZ, Pierre <\/span>\u00b7 <\/b>Domaines<\/span><\/i><\/p>\n

BOULEZ, Pierre <\/span>\u00b7<\/b> Improvisations I <\/span><\/i>y <\/span>II<\/span><\/i><\/p>\n

BOULEZ, Pierre <\/span>\u00b7 <\/b>Incises<\/span><\/i><\/p>\n

BOULEZ, Pierre <\/span>\u00b7 <\/b>Le Marteau sans ma\u00eetre<\/span><\/i><\/p>\n

BOULEZ, Pierre <\/span>–<\/b> Piano Sonata No. 2<\/span><\/p>\n

BOULEZ, Pierre <\/span>– <\/b>Sonatina for flute and piano<\/span><\/p>\n

BOULEZ, Pierre <\/span>\u00b7 <\/b>Sur incises<\/span><\/i><\/p>\n

BRAHMS, Johannes <\/span>–<\/b> Four serious songs<\/span><\/i><\/p>\n

BRET\u00d3N, Tom\u00e1s <\/span>– <\/b>Four Spanish pieces<\/span><\/i>: “Danse orientale”, “Bol\u00e9ro”.<\/span><\/p>\n

BRITTEN, Benjamin <\/span>\u00b7 <\/b>As it is, plenty<\/span><\/i><\/p>\n

BRITTEN, Benjamin <\/span>\u00b7 <\/b>Let the florid music praise! <\/span><\/i> <\/p>\n

BRITTEN, Benjamin <\/span>\u00b7 <\/b>Nocturne <\/span><\/i> <\/p>\n

BRITTEN, Benjamin <\/span>\u00b7<\/b> Now the leaves are falling fast <\/span><\/i> <\/p>\n

BRITTEN, Benjamin <\/span>\u00b7<\/b> On this land, Op. 11 <\/span><\/i><\/p>\n

BRITTEN, Benjamin <\/span>\u00b7<\/b> Seascape <\/span><\/i> <\/p>\n

BRITTEN, Benjamin<\/span> \u00b7 <\/b> Six Metamorphoses according to Ovid, Op. 49<\/span><\/i><\/p>\n

BUIDE, Fernando <\/span>\u00b7<\/b> Stroke. Differences <\/span><\/i><\/p>\n

B\u0141O\u0143SKA, Alina <\/span>–<\/b> The quiet music<\/span><\/i><\/p>\n

BOESMANS, Philippe <\/span>\u00b7<\/b> Ornamented Zone<\/span><\/i><\/p>\n

BOFILL, Anna <\/span>\u00b7<\/b> Alternanze: Omaggio a Barbara Strozzi<\/span><\/i><\/p>\n

BORKOWSKI, Marian <\/span>\u00b7<\/b> Images II<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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C<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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CABEZ\u00d3N, Antonio de <\/span>\u00b7<\/b> Tiento del Cuarto Tono<\/span><\/i><\/p>\n

CAGE, John <\/span>\u00b7<\/b> Aria<\/span><\/i><\/p>\n

CAGE, John <\/span>–<\/b> Sonatas and interludes<\/span><\/i><\/p>\n

CALAND\u00cdN HERN\u00c1NDEZ, Emilio <\/span>\u00b7<\/b> Tramas<\/span><\/i><\/p>\n

CALAND\u00cdN HERN\u00c1NDEZ, Emilio <\/span>\u00b7 <\/b>Voci del fiume<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Abreviaturas<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Afterimage<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>–<\/b> Aria <\/span><\/i>for violin and piano<\/span><\/p>\n

CAMARERO, C\u00e9sar <\/span>–<\/b> Through the sound of rain<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>–<\/b> Slow Motion<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>–<\/b> Light jet to the heart of a galaxy.<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Epitafio<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Finale<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Inmersi\u00f3n<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Klangfarbenphonie<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>–<\/b> Blue light<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Mon\u00f3logo III<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>–<\/b> Music to contemplate the evolution of a wave in slow motion.<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>–<\/b> Nothing kept him<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>–<\/b> Nostalgia for a future landscape<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Opus Sectile<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>–<\/b> Poem in Memory of Exigio Garcia Carbajo<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Pulsion<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Quinteto<\/span><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Reverso II<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Tras creation<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Trayecto l\u00edquido<\/span><\/i><\/p>\n

CAMARERO, C\u00e9sar <\/span>\u00b7<\/b> Viaje al interior de un segundo<\/span><\/i><\/p>\n

C\u00c1NOVAS PAR\u00c9S, Helena <\/span>\u00b7<\/b> Cada piedra es una isla<\/span><\/i><\/p>\n

CARRE\u00d1O, Juan Pablo <\/span>\u00b7 <\/b>Mi fe naufraga<\/span><\/i><\/p>\n

CARRETERO, Alberto <\/span>\u00b7<\/b> Parallel Lives<\/span><\/i><\/p>\n

CARRETERO, Alberto <\/span>\u00b7<\/b> Passio<\/span><\/i><\/p>\n

CARRETERO, Alberto <\/span>\u00b7 <\/b>Pendulum Choreography<\/span><\/i><\/p>\n

CARRETERO, Alberto <\/span>\u00b7<\/b> Quantum<\/span><\/i><\/p>\n

CARRO, Mario <\/span>\u00b7<\/b> Transparencias<\/span><\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/b> A mirror in which to dwell<\/span><\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/b> Canon for 4:<\/span><\/i> Homage to William<\/span><\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/b> Changes<\/span><\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/b> Eight Etudes and a Fantasy<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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CARTER, Elliott <\/span>\u00b7<\/b> Enchanted preludes<\/span><\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/b> Esprit doux\/esprit rude<\/span><\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/span> Gra<\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/span> Inner Song<\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/span> Night Fantasies<\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/span> Pastoral<\/i><\/p>\n

CARTER, Elliott <\/span>\u00b7<\/span> Triple Duo<\/i><\/p>\n

CASABLANCAS, Benet <\/span>\u00b7 <\/b> Cant per a F. Mompou. Remembran\u00e7a<\/span><\/i><\/p>\n

CASABLANCAS, Benet <\/span>\u00b7<\/b> Cuaderno de Haikus<\/span><\/i><\/p>\n

CASABLANCAS, Benet <\/span>\u00b7 <\/b>Dos piezas para clarinete y piano<\/span><\/p>\n

CASABLANCAS, Benet <\/span>\u00b7<\/b> Epigramas<\/span><\/i><\/p>\n

CASABLANCAS, Benet <\/span>\u00b7 <\/b>Haiku<\/span><\/i><\/p>\n

CASABLANCAS, Benet <\/span>\u00b7 <\/b>Introducci\u00f3n, cadenza y aria<\/span><\/i><\/p>\n

CASABLANCAS, Benet <\/span>\u00b7 <\/b>Miniaturas Camel\u00edsticas<\/span><\/i> <\/span><\/p>\n

CASABLANCAS, Benet <\/span>\u00b7 <\/b>Tr\u00edptico <\/span><\/i>para violonchelo solo<\/span><\/p>\n

CASHIAN, Philip <\/span>\u00b7<\/b> Concierto de c\u00e1mara n.\u00ba 1<\/span><\/p>\n

CATAL\u00c1N, Teresa <\/span>\u00b7<\/b> Larrazpileko jentilen trikuharritik<\/span><\/i><\/p>\n

CATAL\u00c1N, Teresa <\/span>\u00b7<\/b> Zuhaitz<\/span><\/i><\/p>\n

CATTANEO, Pieralberto <\/span>\u00b7 <\/b>Concertino<\/span><\/i><\/p>\n

CENDO, Rapha\u00ebl <\/span>\u00b7<\/b> Scratch Data<\/span><\/i><\/p>\n

CEREZO, Carolina <\/span>\u00b7<\/b> Bioluminiscencias<\/span><\/i><\/p>\n

CEREZO D\u00c1VILA, Carolina <\/span>\u00b7<\/b> Formas y Texturas<\/span><\/i><\/p>\n

CHARLES, Agust\u00edn <\/span>\u00b7 <\/b>Partita para viol\u00edn s\u00f3lo <\/span> <\/p>\n

CHARLES, Agust\u00edn <\/span>\u00b7 <\/b>Unstable Surface<\/span><\/i><\/p>\n

CHAURIS, Yves <\/span>\u00b7 <\/b>Ligne de fuite<\/span><\/i><\/p>\n

CHEVALLIER, Denis <\/span>\u00b7 <\/b>Poco a poco<\/span><\/i><\/p>\n

CHOI, Jiyoun <\/span>\u00b7 <\/b>Univers Lignes II<\/span><\/i><\/p>\n

CIUCIURA, Leoncjusz <\/span>\u00b7<\/b> Rencontre I<\/span><\/i><\/p>\n

COPLAND, Aaron <\/span>\u00b7<\/b> 12 Poems of Emily Dickinson <\/span><\/i> <\/p>\n

COPLAND, Aaron <\/span>\u00b7 <\/b>Quiet City<\/span><\/i><\/p>\n

COPLAND, Aaron <\/span>\u00b7 <\/b>Vitebsk<\/span><\/i><\/p>\n

CORBETT, Sidney <\/span>\u00b7 <\/b>Ges\u00e4nge der Unruhe<\/span><\/i><\/p>\n

CORDURAS, Alicia <\/span>\u00b7 <\/b>D\u00fao n.\u00b0 1<\/span><\/i><\/p>\n

CORRALES, Arturo <\/span>\u00b7<\/b> 37<\/span><\/i><\/p>\n

COUPERIN, Louis <\/span>\u00b7<\/b> Suite en mi menor. <\/span>Pr\u00e9lude non mesur\u00e9 <\/span><\/i> <\/p>\n

CRUMB, George <\/span>\u00b7 <\/b>Music for a Summer Evening (Makrokosmos III)<\/span><\/i><\/p>\n

CRUZ, Zulema de la <\/span>\u00b7 <\/b>Canciones de Tasia<\/span><\/i><\/p>\n

CRUZ, Zulema de la <\/span>\u00b7 <\/b>G\u00e9minis<\/span><\/i><\/p>\n

CRUZ, Zulema de la <\/span>\u00b7 <\/b>La Colina del sol<\/span><\/i><\/p>\n

CRUZ GUEVARA, Juan <\/span>\u00b7<\/b> Luce Gettata<\/span><\/i><\/p>\n

CRUZ GUEVARA, Juan <\/span>\u00b7<\/b> Mixtil\u00edneos II<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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D<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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DAVIDOWSKI, Mario <\/span>\u00b7<\/b> Flashbacks<\/span><\/i><\/p>\n

DAVIES, Maxwell <\/span>\u00b7<\/b> Image, Reflection, Shadow (3 movimientos)<\/span><\/i><\/p>\n

DEANE, Raymond <\/span>\u00b7<\/b> Cereus XII<\/span><\/i><\/p>\n

DEANE, Raymond <\/span>\u00b7<\/b> Couchant<\/span><\/i><\/p>\n

DEANE, Raymond <\/span>\u00b7<\/b> Duskiss V<\/span><\/i><\/p>\n

DEANE, Raymond <\/span>\u00b7<\/b> Mezzotint IX<\/span><\/i><\/p>\n

DEANE, Raymond <\/span>\u00b7<\/b> Minerva\u2019s Owl III<\/span><\/i><\/p>\n

DEANE, Raymond <\/span>\u00b7<\/b> Night-watches X<\/span><\/i><\/p>\n

DEANE, Raymond <\/span>\u00b7<\/b> Noctuary I<\/span><\/i><\/p>\n

DEBUSSY, Claude <\/span>\u00b7<\/b> F\u00eates galantes I y II<\/span><\/i><\/p>\n

DEBUSSY, Claude <\/span>\u00b7 <\/b>Syrinx<\/span><\/i><\/p>\n

DESPREZ, Josquin <\/span>\u00b7 <\/b>Ile fantazies de Joskin<\/span><\/i><\/p>\n

D\u00cdAZ-JEREZ, Gustavo <\/span>\u00b7<\/b> Metaludios<\/span><\/i><\/p>\n

D\u00cdAZ DE LA FUENTE, Alicia <\/span>\u00b7 <\/b>El murmullo del mar<\/span><\/i><\/p>\n

D\u00cdAZ, Marius <\/span>\u00b7 <\/b>S\u00e9quence VII <\/span><\/i>de <\/span>Sept crimes de l\u2019amour <\/span><\/i>para conjunto instrumental (orquestaci\u00f3n de la obra hom\u00f3nima para voz, clarinete y percusi\u00f3n, op. 55 de G. Aperghis)<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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D\u00cdAZ, Marius <\/span>\u00b7 <\/b>Las memorias del general Llorente<\/span><\/i><\/p>\n

DOWLAND, John <\/span>\u00b7<\/b> Come again, sweet love doth now invite<\/span><\/i><\/p>\n

DOWLAND, John <\/span>\u00b7<\/b> Flow my tears<\/span><\/i><\/p>\n

DOWLAND, John <\/span>\u00b7<\/b> Unquiet thoughts<\/span><\/i><\/p>\n

DOWLAND, John <\/span>\u00b7<\/b> Awake, sweet love<\/span><\/i><\/p>\n

DOZZA, Bruno <\/span>\u00b7 <\/b>Euridice, Cantata drammatica <\/span><\/i> <\/p>\n

DOM\u00cdNGUEZ, Francisco Jos\u00e9 <\/span>\u00b7<\/b> Eco de las noches<\/span><\/i><\/p>\n

DOM\u00cdNGUEZ, Pablo <\/span>\u00b7 <\/b>Codex London<\/span><\/i><\/p>\n

DOM\u00cdNGUEZ, Pablo <\/span>\u00b7 <\/b>Eleg\u00eda<\/span><\/i><\/p>\n

DOM\u00cdNGUEZ, Pablo <\/span>\u00b7 <\/b>S\u00e9quence I <\/span><\/i>de <\/span>Sept crimes de l\u2019amour <\/span><\/i>para conjunto instrumental (orquestaci\u00f3n de la obra hom\u00f3nima para voz, clarinete y percusi\u00f3n, op. 55 de G. Aperghis)<\/span><\/p>\n

DRAGI\u0106EVI\u0106, Sascha <\/span>\u00b7 <\/b>Autogamie<\/span><\/i><\/p>\n

DUFOURT, Hugues <\/span>\u00b7 <\/b>L\u2019Origine du monde <\/span><\/i>(Concierto para piano)<\/span><\/p>\n

DUR\u00c1N LORIGA, Jacobo <\/span>\u00b7 <\/b>Qliphoth<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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E<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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EDWARDS, Peter <\/span>\u00b7<\/b> Anders abhanden gekommen <\/span><\/i>para voz y electr\u00f3nica en vivo<\/span> <\/span><\/i><\/p>\n

EIRAS, Juan Manuel <\/span>\u00b7<\/b> Samhain<\/span><\/i><\/p>\n

EISLER, Hanns <\/span>\u00b7<\/b> H\u00f6lderlin-Fragmente <\/span><\/i>del <\/span>Hollywooder Liederbuch <\/span><\/i>(Bertolt Brecht)<\/span><\/p>\n

E\u00d6TV\u00d6S, Peter <\/span>\u00b7<\/b> da capo<\/span><\/i><\/p>\n

E\u00d6TV\u00d6S, Peter <\/span>\u00b7<\/b> Harakiri<\/span><\/i><\/p>\n

E\u00d6TV\u00d6S, Peter <\/span>\u00b7<\/b> Kosmos<\/span><\/i><\/p>\n

E\u00d6TV\u00d6S, Peter <\/span>\u00b7<\/b> Natasha<\/span><\/i><\/p>\n

E\u00d6TV\u00d6S, Peter <\/span>\u00b7<\/b> Octet plus<\/span><\/i><\/p>\n

E\u00d6TV\u00d6S, Peter <\/span>\u00b7<\/b> Secret kiss<\/span><\/i><\/p>\n

E\u00d6TV\u00d6S, Peter <\/span>\u00b7<\/b> Sonata per sei<\/span><\/i><\/p>\n

E\u00d6TV\u00d6S, Peter <\/span>\u00b7<\/b> Steine<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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ERKOREKA, Gabriel <\/span>\u00b7<\/b> Ametsak<\/span><\/i><\/p>\n

ERKOREKA, Gabriel <\/span>\u00b7<\/b> Boreal<\/span><\/i><\/p>\n

ERKOREKA, Gabriel <\/span>\u00b7<\/b> Cuatro Diferencias<\/span><\/i><\/p>\n

ERKOREKA, Gabriel <\/span>\u00b7<\/b> Dipolo<\/span><\/i><\/p>\n

ERKOREKA, Gabriel <\/span>\u00b7<\/b> Duduk I<\/span><\/i><\/p>\n

ERKOREKA, Gabriel <\/span>\u00b7 <\/b>Kaiolan<\/span><\/i><\/p>\n

ESLAVA CABANELLAS, Juan Jos\u00e9 <\/span>\u00b7<\/b> Suave ubicuidad<\/span><\/i><\/p>\n

ESLAVA CABANELLAS, Juan Jos\u00e9 <\/span>\u00b7<\/b> Ven noche tan escondida<\/span><\/i><\/p>\n

ESTEVE, Aar\u00f3n <\/span>\u00b7<\/b> Recurrencia<\/span><\/i><\/p>\n

ESTRADA, I\u00f1aki <\/span>\u00b7 <\/b>Astiro<\/span><\/i><\/p>\n

ESTRADA, I\u00f1aki <\/span>\u00b7<\/b> Prisma<\/span><\/i><\/p>\n

ESTRADA, Ricardo <\/span>\u00b7<\/b> Four grotesque visions<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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F<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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FALLA, Manuel de <\/span>\u00b7<\/b> Concierto para clavec\u00edn, flauta, oboe, clarinete, viol\u00edn y violonchelo<\/span><\/p>\n

FALLA, Manuel de <\/span>\u00b7<\/b> Siete canciones populares espa\u00f1olas<\/span><\/i><\/p>\n

FALLA, Manuel de <\/span>\u00b7<\/b> Suite popular espa\u00f1ola<\/span><\/i><\/p>\n

FEBEL, Reinhard <\/span>\u00b7<\/b> Dispassion<\/span><\/i><\/p>\n

FEDELE, Ivan <\/span>\u00b7<\/b> Immagini da Escher<\/span><\/i><\/p>\n

FEDELE, Ivan <\/span>\u00b7<\/b> Imaginary islands<\/span><\/i><\/p>\n

FEDELE, Ivan <\/span>\u00b7<\/b> Viaggiatori della notte<\/span><\/i><\/p>\n

FELDMAN, Morton <\/span>\u00b7<\/b> Three Voices <\/span><\/i>(fragmentos)<\/span><\/p>\n

FELDMAN, Morton <\/span>\u00b7<\/b> The Viola in My Life I <\/span><\/i>&<\/span> II<\/span><\/i><\/p>\n

FELIPE ACOSTA, Erney <\/span>\u00b7 <\/b>Escenas Nocturnas<\/span><\/i><\/p>\n

FERN\u00c1NDEZ GUERRA, Jorge <\/span>\u00b7<\/b> Espace bris\u00e9<\/span><\/i><\/p>\n

FERN\u00c1NDEZ GUERRA, Jorge <\/span>\u00b7<\/b> Nova<\/span><\/i><\/p>\n

FERN\u00c1NDEZ GUERRA, Jorge <\/span>\u00b7 <\/b>R\u00e9gard perdu dans L<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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FERRANDO, Ignacio \u00b7<\/b> Impulsos<\/i><\/span><\/p>\n

FERRANDO, Ignacio <\/span>\u00b7<\/b> PenT (a) one<\/span><\/i><\/p>\n

FERROUD Pierre-Octave <\/span>\u00b7<\/b> La F\u00eate du Double Cinq<\/span><\/i><\/p>\n

FILIDEI, Francisco <\/span>\u00b7<\/b> Corde Voute<\/span><\/i><\/p>\n

FILIDEI, Francisco <\/span>\u00b7<\/b> Finito ogni gesto<\/span><\/i><\/p>\n

FONTCUBERTA, Carlos <\/span>\u00b7<\/b> De cinq \u00e0 sept<\/span><\/i><\/p>\n

FONTCUBERTA, Carlos <\/span>\u00b7<\/b> Perdi\u00e9ndose en el rumor de la memoria<\/span><\/i><\/p>\n

FONVILLE, John <\/span>\u00b7<\/b> Music for Sarah<\/span><\/i><\/p>\n

FRANCESCONI, Luca <\/span>\u00b7<\/b> A fuoco, 4\u00ba studio sulla memoria<\/span><\/i><\/p>\n

FRANCESCONI, Luca <\/span>\u00b7<\/b> Alborada<\/span><\/i><\/p>\n

FUENTES, Arturo <\/span>\u00b7<\/b> Skifir<\/span><\/i><\/p>\n

FUKUSHIMA, Kazuo <\/span>\u00b7<\/b> Mei<\/span><\/i><\/p>\n

FURRER, Beat <\/span>\u00b7<\/b> Ira-Arca<\/span><\/i><\/p>\n

FURRER, Beat <\/span>\u00b7 <\/b>still<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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G<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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GANDER, Bernhard<\/span> \u00b7<\/b> Sch\u00f6ne Worter<\/span><\/i><\/p>\n

GANDINI, Gerardo <\/span>\u00b7<\/b> A Cow in a Mondrian Painting<\/span><\/i><\/p>\n

GANDINI, Gerardo <\/span>\u00b7 <\/b>Lunario sentimental<\/span><\/i><\/p>\n

GANDINI, Gerardo<\/span> \u00b7<\/b> Sonata n.\u00ba 5<\/span><\/p>\n

GARC\u00c9S RAM\u00cdREZ, Erick <\/span>\u00b7<\/b> + 42\u00baC<\/span><\/i><\/p>\n

GARC\u00c9S RAM\u00cdREZ, Erick <\/span>\u00b7<\/b> Fragmentaci\u00f3n m\u00edstica<\/span><\/i><\/p>\n

GARC\u00c9S RAM\u00cdREZ, Erick <\/span>\u00b7<\/b> S\u00e9quence II <\/span><\/i>de <\/span>Sept crimes de l\u2019amour <\/span><\/i>para conjunto instrumental (orquestaci\u00f3n de la obra hom\u00f3nima para voz, clarinete y percusi\u00f3n op, 55 de G. Aperghis)<\/span><\/p>\n

GARC\u00cdA, Voro <\/span>\u00b7 <\/b>Kair\u00f3s, el surco del tiempo<\/span><\/i><\/p>\n

GARC\u00cdA ABRIL, Ant\u00f3n <\/span>\u00b7<\/b> Cuarteto de Agrippa<\/span><\/i><\/p>\n

GARC\u00cdA ABRIL, Ant\u00f3n <\/span>\u00b7 <\/b>Sonata de Siena<\/span><\/i><\/p>\n

GARC\u00cdA AGUILERA, Juan de Dios <\/span>\u00b7<\/b> Abisal (Shinkai)<\/span><\/i><\/p>\n

GARC\u00cdA-TOM\u00c1S, Raquel <\/span>\u00b7 <\/b>Canci\u00f3n al alba<\/span><\/i><\/p>\n

GARC\u00cdA TOM\u00c1S, Raquel <\/span>\u00b7 <\/b>Turquesa (from Mediterranea reminiscences) *\/**<\/span><\/i><\/p>\n

GARC\u00cdA VITORIA, Marc <\/span>\u00b7 <\/b>Plastic Trio<\/span><\/i><\/p>\n

GAUSIN, Allain <\/span>\u00b7 <\/b>Eau forte<\/span><\/i><\/p>\n

GED\u0130ZL\u0130O\u011eLU, Zeynep <\/span>\u00b7 <\/b>Yol<\/span><\/i><\/p>\n

GERENABARRENA, Zuri\u00f1e F. <\/span>\u00b7 <\/b>Yoru <\/span><\/i> <\/p>\n

GERHARD, Roberto <\/span>\u00b7 <\/b>Capriccio<\/span><\/i><\/p>\n

GERHARD, Roberto <\/span>\u00b7 <\/b>G\u00e9minis<\/span><\/i><\/p>\n

GERHARD, Roberto <\/span>\u00b7 <\/b>Libra<\/span><\/i><\/p>\n

GERHARD, Roberto <\/span>\u00b7 <\/b>Sinfon\u00eda de c\u00e1mara<\/span><\/p>\n

GERHARD, Roberto <\/span>\u00b7 <\/b>Solo de flauta<\/span><\/i><\/p>\n

GERSHWIN, George<\/span> \u00b7 <\/b>Cinco fragmentos de la \u00f3pera<\/span> Porgy and Bess<\/span><\/i><\/p>\n

GERVASONI, Stefano <\/span>\u00b7 <\/b>Eyeing<\/span><\/i><\/p>\n

GHARIBIAN, Sevan <\/span>\u00b7<\/b> Antigone Sketches<\/span><\/i><\/p>\n

GHARIBIAN, Sevan <\/span>\u00b7<\/b> Five Moons<\/span><\/i><\/p>\n

GHARIBIAN, Sevan <\/span>\u00b7<\/b> S\u00e9quence IV <\/span><\/i>de <\/span>Sept crimes de l\u2019amour <\/span><\/i>para conjunto instrumental (orquestaci\u00f3n de la obra hom\u00f3nima para voz, clarinete y percusi\u00f3n, op. 55 de G. Aperghis)<\/span><\/p>\n

GIGER, Jannik <\/span>\u00b7 <\/b>Verstimmung<\/span><\/i><\/p>\n

GIM\u00c9NEZ-COMAS, Nuria <\/span>\u00b7 <\/b>Notturno<\/span><\/i><\/p><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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G\u00d3MEZ OLABARR\u00cdA, Pablo A. <\/span>\u00b7<\/b> Seq<\/span><\/i><\/p>\n

G\u00d3MEZ SENOSIAIN, Rafael <\/span>\u00b7<\/b> Cuarteto n.\u00ba 1, op. 6<\/span><\/p>\n

GONZ\u00c1LEZ, Jos\u00e9 Benjam\u00edn<\/span> \u00b7<\/b> Cives aetherei<\/span><\/i><\/p>\n

GORANDI, Damian <\/span>\u00b7 <\/b>Unit\u00e1 di-torsione<\/span><\/i><\/p>\n

GOURZI, Konstantia<\/span> \u00b7 <\/b>ich f\u00fcrcht\u2019 nicht<\/span><\/i><\/p>\n

GOURZI, Konstantia <\/span>\u00b7<\/b> Kastalia<\/span><\/i><\/p>\n

GRAHAM, Peter <\/span>\u00b7<\/b> Fragment II<\/span><\/i><\/p>\n

GRECO, Jose Luis <\/span>\u00b7 <\/b>The Last Bohemian<\/span><\/i><\/p>\n

GRECO, Jose Luis<\/span> \u00b7 <\/b>Time Between<\/span><\/i><\/p>\n

GRIBBIN, Deirdre <\/span>\u00b7<\/b> To bather her body in whiteness<\/span><\/i><\/p>\n

GRISEY, G\u00e9rard<\/span> \u00b7 <\/b>Anubis et Nout<\/span><\/i><\/p>\n

GRISEY, G\u00e9rard<\/span> \u00b7 <\/b>Les Espaces acoustiques: P\u00e9riodes<\/span><\/i><\/p>\n

GRISEY, G\u00e9rard <\/span>\u00b7 <\/b>P\u00e9riodes<\/span><\/i><\/p>\n

GRISEY, G\u00e9rard <\/span>\u00b7<\/b> Talea<\/span><\/i><\/p>\n

GRISEY, G\u00e9rard<\/span> \u00b7 <\/b>Talea<\/span><\/i><\/p>\n

GRISEY, G\u00e9rard<\/span> \u00b7 <\/b>Vortex temporum<\/span><\/i><\/p>\n

GUARELLO, Alejandro <\/span>\u00b7 <\/b>Encimados<\/span><\/i><\/p>\n

GUARELLO, Alejandro <\/span>\u00b7 <\/b>Flexflo<\/span><\/i><\/p>\n

GUARELLO, Alejandro <\/span>\u00b7 <\/b>Solitario IV<\/span><\/i><\/p>\n

GUARNIERI, Adriano <\/span>\u00b7 <\/b>Al crepitio del sole<\/span><\/i><\/p>\n

GUBAID\u00daLINA, Sofiya<\/span> \u00b7 <\/b>Cadenza<\/span><\/i><\/p>\n

GUBAID\u00daLINA, Sofiya<\/span> \u00b7<\/b> Diez preludios para violonchelo solo<\/span><\/p>\n

GUBAID\u00daLINA, Sofiya <\/span>\u00b7 <\/b>Garten von Freuden und Traurigkeiten<\/span><\/i><\/p>\n

GUBAID\u00daLINA, Sofiya <\/span>\u00b7 <\/b>Tr\u00edo de cuerda<\/span><\/p>\n

GUDMUNDSEN-HOLMGREEN, Pelle <\/span>\u00b7 <\/b>Body and Soul<\/span><\/i><\/p>\n

GUERENABARRENA, Zuri\u00f1e <\/span>\u00b7 <\/b>Presencias ausentes<\/span><\/i><\/p>\n

GUERRERO, Francisco <\/span>\u00b7 <\/b>Concierto de c\u00e1mara<\/span><\/p>\n

GUINOVART I RUBIELLA, Carles <\/span>\u00b7<\/b> Suite barroca para viol\u00edn solo<\/span><\/i><\/p>\n

GUIX, Josep Maria <\/span>\u00b7 <\/b>Com un n\u00favol lleuger<\/span><\/i><\/p>\n

GUOHUI, Ye <\/span>\u00b7 <\/b>Melody<\/span><\/i><\/p>\n

GUTI\u00c9RREZ, Sergio <\/span>\u00b7<\/b> Intermezzo para la muerte del Conde Ugolino<\/span><\/i><\/p>\n

GUYOT, Vicent <\/span>\u00b7 <\/b>Covadonga<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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H<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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HAAS, Georg Friedrich <\/span>\u00b7<\/b> La profondeur<\/span><\/i><\/p>\n

HAAS, Georg Friedrich <\/span>\u00b7<\/b> AUS.WEG<\/span><\/i><\/p>\n

HAAS, Georg Friedrich <\/span>\u00b7<\/b> tria ex uno<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal<\/span> \u00b7<\/b> Antiphonismoi<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal<\/span> \u00b7<\/b> Cadencia<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal <\/span>\u00b7 <\/b>Canci\u00f3n Callada<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal <\/span>\u00b7 <\/b>El ser humano muere solo cuando le olvidan<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal<\/span> \u00b7<\/b> Endechas para una reina de Espa\u00f1a<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal<\/span> \u00b7 <\/b>Hommages, petite suite pour trio<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal<\/span> \u00b7<\/b> Introducci\u00f3n, fuga y final<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal <\/span>\u00b7<\/b> Mizar<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal <\/span>\u00b7<\/b> Queja de un p\u00e1jaro herido<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal<\/span> \u00b7 <\/b>Septeto<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal <\/span>\u00b7<\/b> Sonata para viol\u00edn solo<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal <\/span>\u00b7 <\/b>Triada<\/span><\/i><\/p>\n

HALFFTER, Crist\u00f3bal <\/span>\u00b7<\/b> Deb\u00eda<\/span><\/i><\/p>\n

HALFFTER, Pedro <\/span>\u00b7 <\/b>Armon\u00eda de los opuestos<\/span><\/i><\/p>\n

HARVEY Jonathan <\/span>\u00b7 <\/b>Tombeau de Messiaen<\/span><\/i><\/p>\n

HARVEY, Jonathan<\/span> \u00b7<\/b> Flight-Elegy<\/span><\/i><\/p>\n

HARVEY, Jonathan<\/span> \u00b7<\/b> The Riot<\/span><\/i><\/p>\n

HARVEY, Jonathan <\/span>\u00b7 <\/b>Three Sketches<\/span><\/i><\/p>\n

HARVEY, Jonathan <\/span>\u00b7 <\/b>Tr\u00edo para viol\u00edn, violonchelo y piano<\/span><\/p>\n

HAYDN, Joseph <\/span>\u00b7 <\/b>Tr\u00edo n.\u00ba 39<\/span><\/p>\n

HEEJUNG, Ahn <\/span>\u00b7 <\/b>Shadow of the Moon<\/span><\/i><\/p>\n

HEEJUNG, Kim <\/span>\u00b7<\/b> Impression <\/span><\/i> <\/p>\n

HENDRICH, Pajel <\/span>\u00b7<\/b> Drovorb<\/span><\/i><\/p>\n

HENZE, Hans Werner <\/span>\u00b7 <\/b>3 Tientos<\/span><\/i><\/p>\n

HENZE, Hans Werner <\/span>\u00b7 <\/b>Royal Winter Music: First Sonata on Shakespearean Characters<\/span><\/i><\/p>\n

HILLER, Leharen <\/span>\u00b7<\/b> Suite Illiac <\/span><\/i> <\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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HINDEMITH, Paul <\/span>\u00b7<\/b> Dos d\u00faos: Lebhaft, Massig bewegt<\/span><\/i><\/p>\n

HINDEMITH, Paul <\/span>\u00b7<\/b> Kammermusik n.\u00ba 2<\/span><\/i><\/p>\n

HINDEMITH, Paul <\/span>\u00b7<\/b> Kammermusik n.\u00ba 3<\/span><\/i><\/p>\n

HINOHARA, Hidehiko<\/span> \u00b7<\/b> Water Memories<\/span><\/i><\/p>\n

HOLLIGER, Heinz <\/span>\u00b7<\/b> (\u00e9)cri(t)<\/span><\/i><\/p>\n

HOLLIGER, Heinz <\/span>\u00b7<\/b> Berceuse pour M <\/span><\/i> <\/p>\n

HOLLIGER, Heinz<\/span> \u00b7<\/b> Lebenslinien<\/span><\/i><\/p>\n

HOLLIGER, Heinz <\/span>\u00b7<\/b> Lieder ohne Worte<\/span><\/i><\/p>\n

HOLLIGER, Heinz <\/span>\u00b7 <\/b>Ma\u2019mounia<\/span><\/i><\/p>\n

HOLLIGER, Heinz <\/span>\u00b7<\/b> Quinteto para piano y cuatro instrumentos de viento<\/span><\/p>\n

HOLLIGER, Heinz <\/span>\u00b7<\/b> Rechant<\/span><\/i><\/p>\n

HOLLOWAY-NAHUM, Aaron <\/span>\u00b7<\/b> Like a Memory of Birds<\/span><\/i><\/p>\n

HONEGGER, Arthur <\/span>\u00b7 <\/b>Sonata para viol\u00edn y violonchelo<\/span><\/p>\n

HONG, Sungji <\/span>\u00b7 <\/b>Black Arrow<\/span><\/i><\/p>\n

HOSOKAWA, Toshio <\/span>\u00b7 <\/b>Melod\u00eda<\/span><\/i><\/p>\n

HOSOKAWA, Toshio<\/span> \u00b7<\/b> Nocturne<\/span><\/i><\/p>\n

HOSOKAWA, Toshio<\/span> \u00b7<\/b> Atem-Lied<\/span><\/i><\/p>\n

HOSOKAWA, Toshio <\/span>\u00b7<\/b> Japanese Folk Songs<\/span><\/i><\/p>\n

HUBER, Nikolaus Anton <\/span>\u00b7<\/b> In pain and sorrow<\/span><\/i><\/p>\n

H\u00d6LLER, York <\/span>\u00b7 <\/b>Bryson<\/span><\/i><\/p>\n

H\u00d6LLER, York<\/span> \u00b7<\/b> Tagtr\u00e4ume<\/span><\/i><\/p>\n

HOSOKAWA, Toshio <\/span>\u00b7 <\/b>Memory<\/span><\/i><\/p>\n

HOSOKAWA, Toshio <\/span>\u00b7 <\/b>Sen VI<\/span><\/i><\/p>\n

HOSOKAWA, Toshio <\/span>\u00b7 <\/b>Drawing<\/span><\/i><\/p>\n

HOSOKAWA, Toshio <\/span>\u00b7 <\/b>Vertical time study<\/span><\/i><\/p>\n

HUMET, Ram\u00f3n<\/span> \u00b7<\/b> El jard\u00edn de Kinko<\/span><\/i><\/p>\n

HUMET, Ram\u00f3n <\/span>\u00b7 <\/b>En el bosc profund<\/span><\/i><\/p>\n

HYE-YOON, Ahn <\/span>\u00b7 <\/b>Steigen<\/span><\/i><\/p>\n

HYUNKYUNG, Lim <\/span>\u00b7 <\/b>Auf den ersten Blick<\/span><\/i><\/p>\n

HUREL, Philippe <\/span>\u00b7 <\/b>Trait d\u2019union<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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I<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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IBARRONDO, F\u00e9lix<\/span> \u00b7 <\/b>Handikoak<\/span><\/i><\/p>\n

IGES, Jos\u00e9 <\/span>\u00b7 <\/b>Gestos <\/span><\/i> <\/p>\n

INSUN, Cho <\/span>\u00b7 <\/b>Camino VII<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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ITOH, Hiroyuki <\/span>\u00b7 <\/b>Hiroyuki<\/span><\/i><\/p>\n

ITOH, Hiroyuki <\/span>\u00b7<\/b> In the Dim Light<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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J<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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JAGGI, Martin<\/span> \u00b7 <\/b>Enga<\/span><\/i><\/p>\n

JAGGI, Martin <\/span>\u00b7 <\/b>Spam<\/span><\/i><\/p>\n

JAN\u00c1CEK, Leos<\/span> \u00b7 <\/b>Concertino <\/span><\/i>para piano y conjunto de c\u00e1mara<\/span><\/p>\n

JARRELL, Michael<\/span> \u00b7 <\/b>Resurgences<\/span><\/i><\/p>\n

JEREZ, Concha<\/span> \u00b7<\/b> Mediciones de la Ciudad de los Signos<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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JIM\u00c9NEZ TAMAME, Diego <\/span>\u00b7 <\/b>About blood pulse and misty minds<\/span><\/i><\/p>\n

JIN SOO, Kim<\/span> \u00b7 <\/b>Nocturne in Dry Forest<\/span><\/i><\/p>\n

JIN, Ping <\/span>\u00b7 <\/b>Southern Air II<\/span><\/i><\/p>\n

JOANNOU, El\u00edas <\/span>\u00b7 <\/b>Auto post<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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K<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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KAGEL, Mauricio <\/span>\u00b7 <\/b>Die St\u00fccke der Windrose<\/span><\/i><\/p>\n

KAGEL Mauricio <\/span>\u00b7 <\/b>F\u00fcrst Igor, Stravinsky<\/span><\/i> <\/span><\/p>\n

KALITZKE, Johannes <\/span>\u00b7 <\/b>Figuren am horizont<\/span><\/i><\/p>\n

KARG-ELERT, Sigfrid <\/span>\u00b7 <\/b>Sonata Appassionata<\/span><\/i>, op. 140<\/span><\/p>\n

KAWAKAMI, Noriko <\/span>\u00b7 <\/b>Blick<\/span><\/i><\/p>\n

KENGIO, Yatsuhashi<\/span> \u00b7 <\/b>Hachidan no shirabe<\/span><\/i><\/p>\n

KIESEWETTER, Peter<\/span> \u00b7<\/b> Musik unter Tage<\/span><\/i><\/p>\n

KILLMAYER, Wilhelm <\/span> <\/span>\u00b7 <\/b>Douze \u00c9tudes transcendentales<\/span><\/i><\/p>\n

KILLMAYER, Wilhelm <\/span>\u00b7 <\/b>Nocturnes<\/span><\/i><\/p>\n

KILLMAYER, Wilhelm<\/span> \u00b7<\/b> F\u00fcnf neue Klavierst\u00fccke<\/span><\/i><\/p>\n

KILLMAYER, Wilhelm <\/span>\u00b7 <\/b>Etude de Figaro<\/span><\/i><\/p>\n

KIM, Bohm-Yi <\/span>\u00b7<\/b> Danse de corde<\/span><\/i><\/p>\n

KISHINO, Malika <\/span>\u00b7 <\/b>vers le ciel<\/span><\/i><\/p>\n

KNOX, Garth <\/span>\u00b7 <\/b>Wild Animals<\/span><\/i><\/p>\n

KNUSSEN, Oliver<\/span> \u00b7 <\/b>\u2026upon one note<\/span><\/i><\/p>\n

K\u00d3DALY, Zolt\u00e1n <\/span>\u00b7 <\/b>D\u00fao para viol\u00edn y violonchelo<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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KODALY, Zolt\u00e1n<\/span> \u00b7 <\/b>Sonata para violonchelo solo<\/span><\/p>\n

KR\u00d6PFL, Francisco <\/span>\u00b7 <\/b>D\u00fao<\/span><\/i> <\/span><\/p>\n

KR\u00d6PFL, Francisco<\/span> \u00b7 <\/b>El Espejo y la M\u00e1scara<\/span><\/i><\/p>\n

KR\u00d6PFL, Francisco<\/span> \u00b7 <\/b>Incursiones en el A.R.E.M<\/span><\/i><\/p>\n

KR\u00d6PFL, Francisco <\/span>\u00b7 <\/b>Quel tempo<\/span><\/i><\/p>\n

KR\u00d6PFL, Francisco<\/span> \u00b7 <\/b>Tr\u00edo \u201903<\/span><\/i><\/p>\n

KR\u00d6PFL Francisco <\/span>\u00b7 <\/b>Relato<\/span><\/i><\/p>\n

KR\u00dcGER, Matthias <\/span>\u00b7 <\/b>the machinery I have made<\/span><\/i><\/p>\n

KURT\u00c1G, G\u00fforgy <\/span>\u00b7<\/b> Brefs messages, <\/span><\/i> op. 47<\/span><\/p>\n

KURT\u00c1G, Gy\u00f6rgy <\/span>\u00b7 <\/b>J\u00e1t\u00e9kok I<\/span><\/i><\/p>\n

KURT\u00c1G, Gy\u00f6rgy <\/span>\u00b7 <\/b>J\u00e1t\u00e9kok III <\/span><\/i> <\/p>\n

KURT\u00c1G, Gy\u00f6rgy <\/span>\u00b7 <\/b>J\u00e1t\u00e9kok VIII<\/span><\/i> <\/span><\/p>\n

KURT\u00c1G, G\u00fforgy<\/span> \u00b7 <\/b>J\u00e1t\u00e9kok IV<\/span><\/i><\/p>\n

KURT\u00c1G, G\u00fforgy <\/span>\u00b7 <\/b>Kafka-Fragmente<\/span><\/i><\/p>\n

KURT\u00c1G, G\u00fforgy<\/span> \u00b7 <\/b>Messages of the Late R. V. Troussova<\/span><\/i><\/p>\n

KURT\u00c1G, G\u00fforgy<\/span> \u00b7 <\/b>Three Old Inscriptions<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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L<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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LACHENMANN, Friedrich <\/span>\u00b7 <\/b>Toccatina<\/span><\/i><\/p>\n

LAMBERTINI, Marta <\/span>\u00b7 <\/b> \u00a1Oh, Eternidad\u2026! Ossia S.M.R. Bach<\/span><\/i><\/p>\n

LANCHARES, Santiago <\/span>\u00b7 <\/b>Anandaman\u00eda<\/span><\/i><\/p>\n

LANCHARES, Santiago <\/span>\u00b7 <\/b>Bart\u00f3k-Danza<\/span><\/i><\/p>\n

LANCHARES, Santiago <\/span>\u00b7 <\/b>Dos danzas<\/span><\/i><\/p>\n

LANCHARES, Santiago <\/span>\u00b7 <\/b>Krono<\/span><\/i><\/p>\n

LANCHARES, Santiago <\/span>\u00b7 <\/b>Los ojos abiertos<\/span><\/i><\/p>\n

LANCHARES, Santiago <\/span>\u00b7 <\/b>Malabarista<\/span><\/i><\/p>\n

LANGLOTZ, Lukas <\/span>\u00b7 <\/b> Ohne Titel II. Hommage<\/span><\/i><\/p>\n

LANGLOTZ, Lucas <\/span>\u00b7 <\/b>Seiy\u00fb<\/span><\/i><\/p>\n

LAVISTA, Mario <\/span>\u00b7<\/b> Marsias<\/span><\/i><\/p>\n

LAVISTA, Mario <\/span>\u00b7 <\/b>Canto del alba<\/span><\/i><\/p>\n

LAVISTA, Mario<\/span> \u00b7 <\/b>Marsias<\/span><\/i><\/p>\n

LAZKANO, Ramon <\/span>\u00b7 <\/b>Egan-1<\/span><\/i><\/p>\n

LAZKANO, Ramon <\/span>\u00b7 <\/b>Egan-2<\/span><\/i><\/p>\n

LAZKANO, Ramon <\/span>\u00b7 <\/b>Lur-Itzalak<\/span><\/i><\/p>\n

LAZKANO, Ramon <\/span>\u00b7 <\/b>Wintersonnenwende<\/span><\/i><\/p>\n

LEDOUX, Claude <\/span>\u00b7 <\/b>14.05.78<\/span><\/i><\/p>\n

LEEF, Yinam<\/span> \u00b7<\/b> Impro\u2019s Imprints<\/span><\/i><\/p>\n

LEEF, Jinam<\/span> \u00b7<\/b> \u00c9loges des choses \u00e9ph\u00e9m\u00e8res<\/span><\/i><\/p>\n

LEEF, Yinam <\/span>\u00b7 <\/b>Intermezzi<\/span><\/i><\/p>\n

LEROUX, Philippe <\/span>\u00b7 <\/b>Continuo(ns)<\/span><\/i><\/p>\n

LEVINAS, Michael <\/span>\u00b7 <\/b>D\u00e9sinences<\/span><\/i><\/p>\n

LEVINAS, Michael<\/span> \u00b7 <\/b>\u00c9tudes<\/span><\/i><\/p>\n

L\u00c9VINAS, Michael<\/span> \u00b7 <\/b>Cuarteto de cuerda n.\u00ba 1<\/span><\/p>\n

L\u00c9VINAS, Michael <\/span>\u00b7<\/b> Concierto para un piano espacio n.\u00ba 2<\/span><\/i><\/p>\n

LIAKAKIS, Perikles<\/span> \u00b7 <\/b>TraumTanzTrance<\/span><\/i><\/p>\n

LIGETI, Gy\u00f6rgy<\/span> \u00b7 <\/b>Estudios (selecci\u00f3n)<\/span><\/i><\/p>\n

LIGETI Gy\u00f6rgy <\/span>\u00b7 <\/b>Musica ricercata <\/span><\/i>(selecci\u00f3n) (acorde\u00f3n solo)<\/span><\/p>\n

LIGETI, Gy\u00f6rgy <\/span>\u00b7 <\/b>Concierto para violonchelo<\/span><\/p>\n

LIGETI, Gy\u00f6rgy <\/span>\u00b7 <\/b>Concierto de c\u00e1mara<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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LIGETI, Gy\u00f6rgy <\/span>\u00b7 <\/b>Melodien<\/span><\/i><\/p>\n

LIGETI, Gy\u00f6rgy <\/span>\u00b7 <\/b>Misterios del Macabre<\/span><\/i><\/p>\n

LIGETI, Gy\u00f6rgy <\/span>\u00b7 <\/b>Tres piezas<\/span><\/i><\/p>\n

LIGETI, Gy\u00f6rgy<\/span> \u00b7 <\/b>Seis bagatelas <\/span><\/i>para quinteto de viento<\/span><\/p>\n

LIGETI, Gy\u00f6rgy<\/span> \u00b7 <\/b>Concierto para piano<\/span><\/p>\n

LIGETI, Gy\u00f6rgy <\/span>\u00b7 <\/b>Diez piezas para quinteto de viento<\/span><\/i><\/p>\n

LIUT, Mart\u00edn <\/span>\u00b7 <\/b>Trayectos urbanos<\/span><\/i><\/p>\n

LLUS\u00c1-DAMIANI, \u00c1lvar<\/span> \u00b7 <\/b>Ikeru<\/span><\/i><\/p>\n

L\u00d3PEZ ESTELCHE, Israel<\/span> \u00b7 <\/b>Hidden Dances<\/span><\/i><\/p>\n

L\u00d3PEZ <\/span>ESTELCHE, Israel <\/span>\u00b7<\/b> L\u00ednea quebrada<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel<\/span> \u00b7 <\/b>A tempo<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>Atrium<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>Cuarteto de cuerda<\/span><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7<\/b> Jenseits\u2026 Diesseits<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>La C\u00e9leste<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel<\/span> \u00b7 <\/b>La pluma de Hu<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>Le parfum de la lune<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>Rhea<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>Sotto voce<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>Tr\u00edo III<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>L\u2019Art de la sieste et autres plaisirs po\u00e9tiques<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>La casa de las cig\u00fce\u00f1as<\/span><\/i><\/p>\n

L\u00d3PEZ L\u00d3PEZ, Jos\u00e9 Manuel <\/span>\u00b7<\/b> Lo fijo y lo vol\u00e1til<\/span><\/i><\/p>\n

LU, Wang<\/span> \u00b7 <\/b>From the Distant Plains II<\/span><\/i><\/p>\n

LUNA, Demi\u00e1n<\/span> \u00b7<\/b> Memorias del Abismo V<\/span><\/i><\/p>\n

LUTOSLAWSKI Witold<\/span> \u00b7<\/b> Variaciones sobre un tema de Paganini<\/span><\/i><\/p>\n

LUTOSLAWSKI, Witold <\/span>\u00b7 <\/b>Dance Preludes<\/span><\/i><\/p>\n

LUTOSLAWSKI, <\/span> <\/span>Witold <\/span>\u00b7 <\/b>Grave<\/span><\/i><\/p>\n

LUTOSLAWSKI, Witold <\/span>\u00b7 <\/b>Sacher Variation<\/span><\/i><\/p>\n

LUTOSLAWSKI, Witold<\/span> \u00b7<\/b> Concierto para violonchelo y orquesta<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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M<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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MACHUEL, Thierry<\/span> \u00b7 <\/b>Seelenringen<\/span><\/i><\/p>\n

MACKEY, Steven <\/span>\u00b7 <\/b>Indigenous Instruments<\/span><\/i><\/p>\n

MAGRAN\u00c9 FIGUERA, Joan<\/span> \u00b7 <\/b>sourd-muet-aveugle<\/span><\/i><\/p>\n

MAHLER, Gustav <\/span>\u00b7 <\/b>Ich bin der Welt abhanden gekommen<\/span><\/i><\/p>\n

MAHLER, Gustav<\/span> \u00b7 <\/b>Kindertotenlieder<\/span><\/i><\/p>\n

MAHLER, Gustav <\/span>\u00b7<\/b> La canci\u00f3n de la tierra<\/span><\/i><\/p>\n

MAHLER, Gustav<\/span> \u00b7 <\/b>Sinfon\u00eda n.\u00ba 1 (arr. Klaus Simon)<\/span><\/p>\n

MAHLER, Gustav<\/span> \u00b7 <\/b>Sinfon\u00eda n.\u00ba 5 (arr. Klaus Simon)<\/span><\/p>\n

MAHLER, Gustav <\/span>\u00b7 <\/b>Sinfon\u00eda n.\u00ba 9 (arr. Klaus Simon)<\/span><\/p>\n

MAHLER, Gustav <\/span>\u00b7 <\/b>Sinfon\u00eda n.\u00ba 4 (arr. Klaus Simon)<\/span><\/p>\n

MALONDRA FLAQUER, Mateu <\/span>\u00b7 <\/b>Geometr\u00eda del amor<\/span><\/i><\/p>\n

MALUMBRES, M\u00aa Dolores <\/span>\u00b7 <\/b>Suite el payaso<\/span><\/i><\/p>\n

MANCHADO, Marisa <\/span>\u00b7 <\/b>Algo sencillo<\/span><\/i><\/p>\n

MANCHADO, Marisa <\/span>\u00b7 <\/b>Feux<\/span><\/i><\/p>\n

MANCHADO, Marisa <\/span>\u00b7<\/b> Tr\u00edo Nuevo<\/span><\/i><\/p>\n

MANTOVANI, Bruno <\/span>\u00b7<\/b> Concierto de c\u00e1mara n.\u00ba 2<\/span><\/p>\n

MANTOVANI, Bruno <\/span>\u00b7<\/b> D\u00e9rive<\/span><\/i><\/p>\n

MANTOVANI, Bruno <\/span>\u00b7 <\/b>d\u2019un r\u00eave parti<\/span><\/i><\/p>\n

MANZONI Il, Giacomo <\/span>\u00b7 <\/b>rumore del tempo<\/span><\/i><\/p>\n

MANZONI, Giacomo <\/span>\u00b7<\/b> M\u00fasica nocturna<\/span><\/i><\/p>\n

MANZONI, Giacomo <\/span>\u00b7 <\/b>\u2026In diesem Meer<\/span><\/i><\/p>\n

MARAIS, Marin <\/span>\u00b7<\/b> Folies d\u2019Espagne<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7 <\/b>Albor<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7<\/b> De la vida celestial. Tercera Mahleriana<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7 <\/b>Dedicatoria<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7 <\/b>Deux ex bachina<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7 <\/b>D\u00fao concertante n.\u00ba 6 Musurgia Universalis<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7 <\/b>Mientras el tiempo como m\u00fasica suena<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7 <\/b>Noche de ardiente soledad sonora (a C. Halffter en su 75 aniversario)<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7 <\/b>Partita del Obradoiro<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7<\/b> Sinfon\u00eda de c\u00e1mara n.\u00ba 1<\/span> Rec\u00f3ndita Armon\u00eda <\/span><\/i> <\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7 <\/b>Sinfon\u00eda de c\u00e1mara n.\u00ba 2 <\/span>E un passo sfiorava l’arena<\/span><\/i><\/p>\n

MARCO, Tom\u00e1s <\/span>\u00b7 <\/b>Botafumeiro <\/span><\/i>para viol\u00edn solo<\/span><\/p>\n

MARINA, Carmen <\/span>\u00b7 <\/b>Tr\u00edo<\/span><\/p>\n

MART\u00cdN VIERA, Julio <\/span>\u00b7 <\/b>8 Haikus de Borges<\/span><\/i><\/p>\n

MART\u00cdN VIERA, Julio <\/span>\u00b7<\/b> Pierrot en el bosque<\/span><\/i><\/p>\n

MART\u00cdN, Frank <\/span>\u00b7 <\/b>Balada <\/span><\/i>para flauta y piano<\/span><\/p>\n

MATAMORO, Miguel <\/span>\u00b7<\/b> Sottogrido<\/span><\/i><\/p>\n

MATSUSHITA, Isao <\/span>\u00b7 <\/b>A Shining Firmament<\/span><\/i><\/p>\n

MEDEK, Ivo \/ MEDKOVA S. <\/span>\u00b7<\/b> Inside P. Graham Existuje nekone\u010dn\u00fd po\u010det r\u016fzn\u00fdch druh\u016f \u0161t\u011bst\u00ed<\/span><\/i><\/p><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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MEDEK, Ivo <\/span>\u00b7<\/b> Immemorial Shapes 2<\/span><\/i><\/p>\n

MEDEK, Ivo <\/span>\u00b7<\/b> Shades of Silence<\/span><\/i><\/p>\n

MENDOZA, Elena <\/span>\u00b7<\/b> Madrigal<\/span><\/i><\/p>\n

MENEZES, Fl\u00f4 <\/span>\u00b7 <\/b>Mahler in transgress<\/span><\/i><\/p>\n

MERULA, Tarquino <\/span>\u00b7 <\/b>Hor ch\u2019\u00e8 tempo di dormir\u00e9<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7 <\/b>Mode de valeurs et d\u2019intensit\u00e9s<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7 <\/b>Cat\u00e1logo de p\u00e1jaros<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7 <\/b>Cuarteto para el fin de los tiempos<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7 <\/b>Le merle noir<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7<\/b> La grive musicienne<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7 <\/b>Le rouge gorge<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7 <\/b>Petites esquisses d\u2019oiseaux (selecci\u00f3n)<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7<\/b> Oiseaux exotiques<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7 <\/b>Th\u00e8me et Variations<\/span><\/i><\/p>\n

MESSIAEN, Olivier <\/span>\u00b7 <\/b>Vingt regards sur l\u2019enfant Jes\u00fas<\/span><\/i><\/p>\n

MESTRES QUADRENY, Josep Maria. <\/span>\u00b7 <\/b>Quatuor de Catroc <\/span> <\/p>\n

MILHAUD, Darius <\/span>\u00b7<\/b> Sinfon\u00edas de c\u00e1mara n.\u00ba 2 y 3<\/span><\/p>\n

MOCHIZUKI, Misato <\/span>\u00b7<\/b> Intermezzi<\/span><\/i><\/p>\n

MOCHIZUKI, Misato <\/span>\u00b7<\/b> Voilages<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7<\/b> Eindringlicher Satz (String Quartet III)<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7<\/b> Estructura I \u201c…eros sur le bleu\u201d<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7<\/b> Fantasie um das Klavier<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7<\/b> Solo I \u201c\u00e9cho perp\u00e9tuel d\u2019un F pure\u2026\u201d<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7<\/b> Solo II \u201c\u00e9cho fluctuant d\u2019un D sensuel\u2026\u201d<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7<\/b> Solo III \u201cpoints de p\u00e9n\u00e9tration du t]k]\u201d<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7<\/b> Solo IV \u201c…flux orgasmique de d\u00e9sir\u2026\u201d<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7<\/b> Trio \u201cDer Klang der Erde\u201d<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7<\/b> Un Magnetar\u2026 Magnetische Episoden<\/span><\/i><\/p>\n

MOLINER, David <\/span>\u00b7 <\/b> Was koordiniert ist! Ist nicht koordiniert\u2026(Zwei kleine V\u00f6gel)<\/span><\/i><\/p>\n

M\u00d3NACO, Alfredo del <\/span>\u00b7 <\/b>Chants<\/span><\/i><\/p>\n

MONTSALVATGE, Xavier <\/span>\u00b7 <\/b>Cinco canciones negras<\/span><\/i><\/p>\n

MORALES, Hugo Murgia <\/span>\u00b7 <\/b>L\u00fa<\/span><\/i><\/p>\n

MUNDRY, Isabel <\/span>\u00b7<\/b> Solo auf Schwellen<\/span><\/i><\/p>\n

MURAIL, Tristan <\/span>\u00b7<\/b> La barque mystique<\/span><\/i><\/p>\n

MURAIL, Tristan <\/span>\u00b7 <\/b>Tellur<\/span><\/i><\/p>\n

MURAIL, Tristan <\/span>\u00b7<\/b> Territoire de l\u2019oubli<\/span><\/i><\/p>\n

MURAIL, Tristan <\/span>\u00b7 <\/b>Treize couleurs du soleil couchant<\/span><\/i><\/p>\n

MURAIL, Tristan <\/span>\u00b7 <\/b>Vues a\u00e9riennes<\/span><\/i><\/p>\n

MURAIL, Tristan <\/span>\u00b7 <\/b>Cloches d\u2019adieu, et un sourire<\/span><\/i><\/p>\n

MURRAY, Max <\/span>\u00b7 <\/b>Szene nach Aktion<\/span><\/i><\/p>\n

M\u00dcLLER, Thomas <\/span>\u00b7 <\/b>Ataraxia<\/span><\/i><\/p>\n

MYUNGHOON, Park <\/span>\u00b7 <\/b>Seed<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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N<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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NAVARRO, Jes\u00fas <\/span>\u00b7<\/b> Black in Transit<\/span><\/i><\/p>\n

NETTI, Giorgio <\/span>\u00b7 <\/b>Affrettandosi verso il centro de la luce risonante<\/span><\/i><\/p>\n

NEUWIRTH, Olga <\/span>\u00b7<\/b> Laki<\/span><\/i><\/p>\n

NIKITINA, Marina <\/span>\u00b7 <\/b>The Dance of Rain<\/span><\/i><\/p>\n

NICOLAOU, Vassos <\/span>\u00b7 <\/b>Recent<\/span><\/i><\/p>\n

NODAIRA, Ichiro <\/span>\u00b7 <\/b>Quatuor en hiver<\/span><\/i><\/p>\n

NODAIRA, Ichiro <\/span>\u00b7 <\/b>Une autre lune<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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N\u00da\u00d1EZ, Adolfo <\/span>\u00b7 <\/b>Kinetics<\/span><\/i><\/p>\n

N\u00da\u00d1EZ, Adolfo <\/span>\u00b7 <\/b>Concierto para sonido<\/span><\/i><\/p>\n

N\u00da\u00d1EZ, Adolfo <\/span>\u00b7 <\/b>Recorridos<\/span><\/i><\/p>\n

NU\u00d1EZ A\u00d1EZ, David <\/span>\u00b7 <\/b>L\u2019Occhio parziale<\/span><\/i><\/p>\n

NU\u00d1EZ, Nuria <\/span>\u00b7 <\/b>Migraciones<\/span><\/i><\/p>\n

NYMAN, Michael <\/span>\u00b7<\/b> Yamamoto Perpetuo<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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O<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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O\u2019CONNELL, Kevin <\/span>\u00b7<\/b> Little <\/span>Overture<\/span><\/i><\/p>\n

OFENBAUER, Christian <\/span>\u00b7<\/b> Tr\u00edo con piano<\/span><\/p>\n

OLAVIDE, Gonzalo de <\/span>\u00b7<\/b> Alternante<\/span><\/i><\/p>\n

OLAVIDE, Gonzalo de <\/span>\u00b7<\/b> Composici\u00f3n para 5 instrumentos<\/span><\/i><\/p>\n

OLAVIDE, Gonzalo de <\/span>\u00b7<\/b> Dispar<\/span><\/i><\/p>\n

OLAVIDE, Gonzalo de <\/span>\u00b7<\/b> El c\u00e1ntico<\/span><\/i><\/p>\n

OLAVIDE, Gonzalo de <\/span>\u00b7<\/b> Quasi una cadenza<\/span><\/i><\/p>\n

OLAVIDE, Gonzalo de <\/span>\u00b7<\/b> En siete limites<\/span><\/i><\/p>\n

OLAVIDE, Gonzalo de <\/span>\u00b7<\/b> Precipiten<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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OLAVIDE, Gonzalo de <\/span>\u00b7<\/b> Varianza<\/span><\/i><\/p>\n

O\u2019LEARY, Jane <\/span>\u00b7<\/b> between two waves of the sea<\/span><\/i><\/p>\n

OLIVEIRA, Jo\u00e3o Pedro <\/span>\u00b7<\/b> Pedro Magma<\/span><\/i><\/p>\n

ORTIZ DE Z\u00c1RATE, Juan <\/span>\u00b7<\/b> Plural thoughts<\/span><\/i><\/p>\n

ORTIZ SERRANO, Rodrigo <\/span>\u00b7<\/b> Effect 6.4956441<\/span><\/i><\/p>\n

ORTS, Jos\u00e9 Antonio <\/span>\u00b7<\/b> Cenit<\/span><\/i><\/p>\n

OR\u00daS, Luis <\/span>\u00b7<\/b> EKG<\/span><\/i><\/p>\n

OSSORIO, Pilar <\/span>\u00b7<\/b> La voz de la memoria<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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P<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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PABLO, Luis de <\/span>\u00b7<\/b> Nonetto<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Tr\u00edo de cuerda<\/span><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Circe de Espa\u00f1a: Voz solista<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Comme d\u2019habitude<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Con alcune licenze<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Dibujos<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Ep\u00edstola de un transe\u00fante<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Il violino spagnolo<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Libro de Im\u00e1genes<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Monos y liebres<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Mon\u00f3logo para viola sola<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Pentimento<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Poket zarzuela<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Soir\u00e9e<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Solo Kunst<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Tango<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Tres de dos<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Tres piezas acad\u00e9micas<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Trimalchio, d\u00fao para fagot y trompa<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Un d\u00eda tan solo<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> Ofrenda<\/span><\/i><\/p>\n

PABLO, Luis de <\/span>\u00b7<\/b> V\u00e9rtigo<\/span><\/i><\/p>\n

PABLO, Luis, de <\/span>\u00b7<\/b> Met\u00e1foras<\/span><\/i><\/p>\n

PABLO, Luis, de <\/span>\u00b7<\/b> Piezas de Kiu<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Canciones para Silvia<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Chaos\u2019 Dream<\/span><\/i><\/p>\n

PANISELLO, Fabian <\/span>–<\/b> Chamber Concerto<\/span> (Anniversary Luis de Pablo)<\/span><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Concierto para trompeta<\/span><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Cuatro poemas de Alejandra Pizarnik<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Essentials<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Estudios para piano 1, 2 y 4<\/span><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Fulgurar<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Gothic Songs<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> I don\u2019t feel low<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Intermezzo<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Japanese Pictures<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Libro del Fr\u00edo<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> L\u00fadica<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> L\u2019officina della resurrezione<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Meister Eckhart: Mystical Song<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Moods II<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Poemas de Alejandra Pizarnik<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Responsoriales<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> The Raven<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Trifolium<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Tr\u00edo I<\/span><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Tr\u00edo II<\/span><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Armon\u00edas Derivadas, Figuras Suspendidas<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Biltine-Choral Reflection<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Cadenza para viol\u00edn<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Cuarteto de cuerda<\/span><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> <\/span>L\u2019ineluttabile destino di ogni cosa<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> <\/span>Piezas m\u00e9tricas<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Shifting Mirrors<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Solstice<\/span><\/i><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Les Rois Mages Suite <\/span><\/i> <\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> Concierto para viol\u00edn<\/span><\/p>\n

PANISELLO, Fabi\u00e1n <\/span>\u00b7<\/b> \u00c05<\/span><\/i><\/p>\n

PAREDES, Hilda <\/span>\u00b7<\/b> Coraz\u00f3n de \u00d3nix<\/span><\/i><\/p>\n

PARIS, Fran\u00e7ois <\/span>\u00b7<\/b> \u00c0 propos de Nice<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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PARIS, Fran\u00e7ois <\/span>\u00b7<\/b> Pour Florian<\/span><\/i><\/p>\n

PARIS, Fran\u00e7ois <\/span>\u00b7<\/b> Tic-tac Parc<\/span><\/i><\/p>\n

PARIS, Fran\u00e7ois <\/span>\u00b7<\/b> Settembre<\/span><\/i><\/p>\n

PARIS, Fran\u00e7ois <\/span>\u00b7<\/b> Sisco Trio<\/span><\/i><\/p>\n

PARIS, Fran\u00e7ois <\/span>\u00b7<\/b> Sombra<\/span><\/i><\/p>\n

PARRA, Diego <\/span>\u00b7<\/b> Kaleidoscope<\/span><\/i><\/p>\n

PARRA, H\u00e9ctor <\/span>\u00b7<\/b> Stress Tensor<\/span><\/i><\/p>\n

PARRA, H\u00e9ctor <\/span>\u00b7<\/b> Andante Sospeso<\/span><\/i><\/p>\n

P\u00c4RT, Arvo <\/span>\u00b7<\/b> Psalom<\/span><\/i><\/p>\n

PAUL, Abel <\/span>\u00b7<\/b> L\u00ednea de vac\u00edo<\/span><\/i><\/p>\n

PELZEL, Michael <\/span>\u00b7<\/b> \u2026figures perfor\u00e9es\u2026<\/span><\/i><\/p>\n

PENDERECKI, Krzysztof <\/span>\u00b7<\/b> Cadenza <\/span><\/i>para viola sola<\/span><\/p>\n

PENDERECKI, Krzysztof <\/span>\u00b7<\/b> Cadenza <\/span><\/i>para viol\u00edn solo<\/span><\/p>\n

PENDERECKI, Krzysztof <\/span>\u00b7<\/b> Cuarteto para clarinete, viol\u00edn, viola y violonchelo<\/span><\/p>\n

PENDERECKI, Krzysztof <\/span>\u00b7<\/b> Cuarteto para flauta y tr\u00edo de cuerdas<\/span><\/p>\n

PENDERECKI, Krzysztof <\/span>\u00b7<\/b> Divertimento<\/span><\/i><\/p>\n

PENDERECKI, Krzysztof <\/span>\u00b7<\/b> Sexteto<\/span><\/p>\n

PENDERECKI, Krzysztof <\/span>\u00b7<\/b> Sonata n.\u00ba 1 para viol\u00edn y piano<\/span><\/p>\n

PERALES, Carlos <\/span>\u00b7<\/b> Sole\u00e1<\/span><\/i><\/p>\n

P\u00c9REZ, Iluminada <\/span>\u00b7<\/b> Elogio del vac\u00edo<\/span><\/i><\/p>\n

P\u00c9REZ VALERO, <\/span>Luis <\/span><\/i>\u00b7 <\/b>Duri Javi<\/span><\/i><\/p>\n

PER\u00d3N, Carlos <\/span>\u00b7<\/b> Bit\u00e1cora<\/span><\/i><\/p>\n

PE\u00d1A AGUAYO, Jos\u00e9 <\/span>\u00b7<\/b> Entre la resistencia ef\u00edmera<\/span><\/i><\/p>\n

PIAZZOLLA, Astor <\/span>\u00b7<\/b> Adi\u00f3s Nonino<\/span><\/i><\/p>\n

PIAZZOLLA, Astor <\/span>\u00b7<\/b> Bandone\u00f3n<\/span><\/i><\/p>\n

PIAZZOLLA, Astor <\/span>\u00b7<\/b> Misma pena<\/span><\/i><\/p>\n

PIAZZOLLA, Astor <\/span>\u00b7<\/b> Sentido \u00fanico<\/span><\/i><\/p>\n

PINTSCHER, Matthias <\/span>\u00b7<\/b> Sonic eclipse<\/span><\/i><\/p>\n

PINTSCHER, Matthias <\/span>\u00b7<\/b> Study II for Treatise on the Veil<\/span><\/i><\/p>\n

PITA, Mar\u00eda Paz <\/span>\u00b7<\/b> Atenea<\/span><\/i><\/p>\n

POSADAS, Alberto <\/span>\u00b7<\/b> Pronomos<\/span><\/i><\/p>\n

POSADAS, Alberto <\/span>\u00b7<\/b> Cripsis<\/span><\/i><\/p>\n

POSADAS, Alberto <\/span>\u00b7<\/b> Invarianza<\/span><\/i><\/p>\n

POSADAS, Alberto <\/span>\u00b7<\/b> Nebmaat<\/span><\/i><\/p>\n

POSADAS, Alberto <\/span>\u00b7<\/b> Proemio<\/span><\/i><\/p>\n

POULENC, Francis <\/span>\u00b7<\/b> Sexteto con piano<\/span><\/p>\n

POULENC, Francis <\/span>\u00b7<\/b> Sonata para violonchelo y piano<\/span><\/p>\n

PRABOWO, Tony <\/span>\u00b7<\/b> Pastoral<\/span><\/i><\/p>\n

PROK\u00d3FIEV, Sergu\u00e9i <\/span>\u00b7<\/b> Pedro y el lobo<\/span><\/i><\/p>\n

PROK\u00d3FIEV, Sergu\u00e9i <\/span>\u00b7<\/b> Sonata para viol\u00edn y piano n.\u00ba 2 en re mayor, op. 94<\/span><\/p>\n

PUERTO David del <\/span>\u00b7<\/b> Vers\u00edculo<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> A Leo<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Advenit<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Alio Modo<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Cat\u2019s Blues, di\u00e1logo con la Sonata K. 30 de Scarlatti<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Concierto para marimba y 15 instrumentos<\/span><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Concierto para oboe y ensemble<\/span><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Dolce<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Dos dedicatorias<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Epitafio para cuarteto de cuerda<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Mito<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Nuptiae bulgatinae<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Verso I<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Verso II<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Verso IV<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Carmen replay Suite<\/span><\/i> <\/span><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Caro Domenico Suite<\/span><\/i><\/p>\n

PUERTO, David del <\/span>\u00b7<\/b> Epitalamio<\/span><\/i><\/p>\n

PURCELL, Henry <\/span>\u00b7<\/b> O Solitude<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Q<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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QIN, Wencheng <\/span>\u00b7<\/b> Yao<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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QUISLANT, Javier <\/span>\u00b7<\/b> Nun<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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R<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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RADVILOVICH, Alexander <\/span>\u00b7 <\/b>M\u00fasica L\u00fa<\/span><\/i><\/p>\n

RADVILOVICH, Alexander <\/span>\u00b7 <\/b>Pierrot\u2019s Dreams<\/span><\/i><\/p>\n

RAVEL, Maurice <\/span>\u00b7<\/b> Cantos populares<\/span><\/i><\/p>\n

RAVEL, Maurice <\/span>\u00b7 <\/b>D\u00fao<\/span><\/i><\/p>\n

RAVEL, Maurice <\/span>\u00b7 <\/b>Sonata para viol\u00edn y piano<\/span><\/p>\n

RAVEL, Maurice <\/span>\u00b7 <\/b>Sonata para viol\u00edn y violonchelo<\/span><\/p>\n

RAVEL, Maurice <\/span>\u00b7 <\/b>Tr\u00edo para viol\u00edn, violonchelo y piano<\/span><\/p>\n

RAVEL, Maurice <\/span>\u00b7<\/b> Ma m\u00e8re l\u2019oye<\/span><\/i><\/p>\n

RAVEL, Maurice <\/span>\u00b7 <\/b>Tzigane<\/span><\/i><\/p>\n

REICH, Steve <\/span>\u00b7 <\/b>City life<\/span><\/i><\/p>\n

REICH, Steve <\/span>\u00b7 <\/b>Music for Pieces of Wood<\/span><\/i><\/p>\n

REICH, Steve <\/span>\u00b7 <\/b>Nagoya Marimbas<\/span><\/i><\/p>\n

REICH, Steve <\/span>\u00b7<\/b> Piano Phase<\/span><\/i><\/p>\n

RIHM, Wolfgang <\/span>\u00b7 <\/b>Chiffre I<\/span><\/i><\/p>\n

RIHM, Wolfgang <\/span>\u00b7 <\/b>Fremde Szene III<\/span><\/i><\/p>\n

RIHM, Wolfgang <\/span>\u00b7 <\/b>Klavierst\u00fcck Nr. 6<\/span><\/i><\/p>\n

RIHM, Wolfgang <\/span>\u00b7 <\/b>Klavierst\u00fcck Nr. 7<\/span><\/i><\/p>\n

RIHM, Wolfgang <\/span>\u00b7 <\/b>Nachtst\u00fccke<\/span><\/i><\/p>\n

RIHM, Wolfgang <\/span>\u00b7 <\/b>Hermann Wiesler in memoriam<\/span><\/i><\/p>\n

RIHM, Wolfgang <\/span>\u00b7 <\/b>Zwiesprache<\/span><\/i><\/p>\n

RIHM, Wolfgang <\/span>\u00b7 <\/b>H\u00f6chste Gunst<\/span><\/i><\/p>\n

RIHM, Wolfgang <\/span>\u00b7 <\/b>Worte sind der Seele Bild<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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R\u00cdO PAREJA, Jos\u00e9 Manuel <\/span>\u00b7 <\/b>Atacama<\/span><\/i> <\/span><\/p>\n

RIVAS, Di\u00f3genes <\/span>\u00b7 <\/b>Ordre<\/span><\/i><\/p>\n

RIVAS, Di\u00f3genes <\/span>\u00b7 <\/b>Les poissons de Jade<\/span><\/i><\/p>\n

ROBIN, Yann <\/span>\u00b7 <\/b>Sym\u00e9triades<\/span><\/i><\/p>\n

RODRIGUEZ, Marcela <\/span>\u00b7 <\/b>Ca\u00edda<\/span><\/i><\/p>\n

RODRIGUEZ, Marcela <\/span>\u00b7 <\/b>Paso de peatones<\/span><\/i><\/p>\n

ROM\u00c1N, Alejandro <\/span>\u00b7 <\/b>Homenaje a Bart\u00f3k<\/span><\/i><\/p>\n

ROSENBAUM, Keren <\/span>\u00b7 <\/b>Tango Nine, for Noa Frenkel and the Lyrebird <\/span><\/i> <\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>24 interludios (selecci\u00f3n)<\/span><\/i><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>Concierto de c\u00e1mara n.\u00ba 2<\/span><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>El Diario de Fausto<\/span><\/i><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>La tierra<\/span><\/i><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>3 <\/span><\/i>Love songs<\/span><\/i><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>Memoria del laberinto<\/span><\/i><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>Perpetuum mobile<\/span><\/i><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>Sensibility<\/span><\/i><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>Sinamai<\/span><\/i><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7<\/b> Concierto de c\u00e1mara n.\u00ba 3<\/span><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7<\/b> D\u00fao de viol\u00edn y viola<\/span><\/i><\/p>\n

RUEDA, Jes\u00fas <\/span>\u00b7 <\/b>\u00cdtaca<\/span><\/i><\/p>\n

RUGELES, Alfredo <\/span>\u00b7 <\/b>Tanguitis<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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S<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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SAARIAHO, Kaija <\/span>\u00b7 <\/b>Je sens un deuxi\u00e8me coeur<\/span><\/i><\/p>\n

SAARIAHO, Kaija <\/span>\u00b7 <\/b>Nocturne<\/span><\/i><\/p>\n

SAARIAHO, Kaija <\/span>\u00b7 <\/b>Serenatas<\/span><\/i><\/p>\n

SAARIAHO, Kaija <\/span>\u00b7<\/b> Ariel\u2019s Hail<\/span><\/i><\/p>\n

SAARIAHO, Kaija <\/span>\u00b7<\/b> Solar<\/span><\/i><\/p>\n

SAKAI, Kenji<\/span> \u00b7<\/b> La naranja atraviesa la noche<\/span><\/i><\/p>\n

SALANOVA, Antonio <\/span>\u00b7 <\/b>Elipse<\/span><\/i><\/p>\n

S\u00c1NCHEZ, Carlos Alberto <\/span>\u00b7 <\/b>Luci\u00e9rnagas<\/span><\/i><\/p>\n

S\u00c1NCHEZ BENIMELI, Mar\u00eda \u00c1ngeles <\/span>\u00b7 <\/b>Mon\u00f3logo<\/span><\/i><\/p>\n

S\u00c1NCHEZ-VERD\u00da, Jos\u00e9 Mar\u00eda <\/span>\u00b7<\/b> Arquitecturas del l\u00edmite<\/span><\/i><\/p>\n

S\u00c1NCHEZ-VERD\u00da, Jos\u00e9 Mar\u00eda <\/span>\u00b7 <\/b>Deploratio II<\/span><\/i><\/p>\n

S\u00c1NCHEZ-VERD\u00da, Jos\u00e9<\/span> Mar\u00eda <\/span>\u00b7 <\/b>Kitab 5<\/span><\/i><\/p>\n

S\u00c1NCHEZ-VERD\u00da, Jos\u00e9 Mar\u00eda <\/span>\u00b7 <\/b>Machaut-Architektur 2<\/span><\/i><\/p>\n

S\u00c1NCHEZ-VERD\u00da, Jos\u00e9 Mar\u00eda <\/span>\u00b7 <\/b>Tr\u00edo IV<\/span><\/i><\/p>\n

S\u00c1NCHEZ VERD\u00da, Jos\u00e9 Mar\u00eda <\/span>\u00b7<\/b> Hekkan<\/span><\/i><\/p>\n

S\u00c1NCHEZ VERD\u00da, Jos\u00e9 Mar\u00eda <\/span>\u00b7<\/b> Melancholia<\/span><\/i><\/p>\n

S\u00c1NCHEZ VERD\u00da, Jos\u00e9 Mar\u00eda <\/span>\u00b7<\/b> Memorare. Requiem para flauta subcontrabaja<\/span><\/i><\/p>\n

SANCH\u00cdS, Vicente <\/span>\u00b7 <\/b>Eleg\u00eda<\/span><\/i><\/p>\n

SANNICANDRO, Valerio <\/span>\u00b7 <\/b>Trois chants Noh de Hagakure<\/span><\/i><\/p>\n

SATIE, Erik <\/span>\u00b7 <\/b>3 Gnossiennes<\/span><\/i><\/p>\n

SATIE, Erik <\/span>\u00b7 <\/b>Gymnopedies<\/span><\/i><\/p>\n

SAUNDERS, Rebecca <\/span>\u00b7 <\/b>Blaauw<\/span><\/i><\/p>\n

SAWAI, Tadao <\/span>\u00b7 <\/b>Yomigaeru Itsutsu no Uta II <\/span><\/i>y<\/span> III<\/span><\/i><\/p>\n

SCELSI, Giacinto <\/span>\u00b7 <\/b>Khoom<\/span><\/i><\/p>\n

SCELSI, Giacinto <\/span>\u00b7 <\/b>Quattro pezzi per tromba sola<\/span><\/i><\/p>\n

SCHAFER, Raymond Murray <\/span>\u00b7<\/b> Princess of the Stars<\/span><\/i><\/p>\n

SCHICK, Tobias Eduard<\/span> \u00b7<\/b> Durchbrochene Linien<\/span><\/i><\/p>\n

SCHNITTKE, Alfred <\/span>\u00b7 <\/b>Quinteto para cuerda y piano<\/span><\/p>\n

SCHUBERT, Franz <\/span>\u00b7<\/b> Wandrers Nachtlied I <\/span><\/i>y<\/span> II<\/span><\/i><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7 <\/b> Cinco piezas para orquesta, op. 16<\/span><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7 <\/b>Cabaret Songs<\/span><\/i><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7 <\/b>Libro de los jardines colgantes<\/span><\/i><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7 <\/b>Oda a Napole\u00f3n<\/span><\/i><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7 <\/b>Pierrot Lunaire<\/span><\/i><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7 <\/b> Seis piezas para piano, op. 19<\/span><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7<\/b> Sinfon\u00eda de c\u00e1mara, op. 9 (versi\u00f3n de A. Webern)<\/span><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7 <\/b> Sinfon\u00eda, op. 9 (versi\u00f3n de A. Webern)<\/span><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7 <\/b> Tres piezas, op. 11<\/span><\/p>\n

SCH\u00d6NBERG, Arnold <\/span>\u00b7 <\/b>Tr\u00edo de cuerda<\/span><\/p>\n

SCIARRINO, Salvatore <\/span>\u00b7 <\/b>Centauro Marino<\/span><\/i><\/p>\n

SCIARRINO, Salvatore <\/span>\u00b7<\/b> 6 capricci (selecci\u00f3n)<\/span><\/i><\/p>\n

SCIARRINO, Salvatore <\/span>\u00b7 <\/b>Esplorazione del bianco<\/span><\/i><\/p>\n

SCIARRINO, Salvatore <\/span>\u00b7 <\/b>Per Matia<\/span><\/i><\/p>\n

SCIARRINO, Salvatore <\/span>\u00b7 <\/b>Spazio Inverso<\/span><\/i><\/p>\n

SCIARRINO, Salvatore <\/span>\u00b7 <\/b>Tr\u00edo de cuerda n.\u00ba 2<\/span><\/p>\n

SCIARRINO, Salvatore <\/span>\u00b7<\/b> Dita unite a quattro mani<\/span><\/i><\/p>\n

SCULTHORPE, Peter <\/span>\u00b7 <\/b>Djilile<\/span><\/i><\/p>\n

SCULTHORPE, Peter <\/span>\u00b7 <\/b>From Saibai<\/span><\/i><\/p>\n

SCULTHORPE, Peter <\/span>\u00b7<\/b> Irkanda I<\/span><\/i><\/p>\n

SCULTHORPE, Peter <\/span>\u00b7<\/b> Irkanda III<\/span><\/i><\/p>\n

SCULTHORPE, Peter <\/span>\u00b7 <\/b>Nightsong<\/span><\/i><\/p>\n

SCULTHORPE, Peter <\/span>\u00b7<\/b> Four Little Pieces<\/span><\/i><\/p>\n

SCULTHORPE, Peter <\/span>\u00b7<\/b> Little Passacaglia<\/span><\/i><\/p>\n

SCULTHORPE, Peter <\/span>\u00b7<\/b> Mountains<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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SCULTHORPE, Peter <\/span>\u00b7<\/b> Night Pieces<\/span><\/i><\/p>\n

SCULTHORPE, Peter <\/span>\u00b7 <\/b>Sometimes When I\u2019m Dreaming<\/span><\/i><\/p>\n

SEIN, Seong <\/span>\u00b7 <\/b>Con sentimiento<\/span><\/i><\/p>\n

SEROUSSI, Ruben <\/span>\u00b7 <\/b>Jazz\u2026 \u00c0 propos de Matisse<\/span><\/i><\/p>\n

SHINOHARA, Makoto <\/span>\u00b7<\/b> Jushichigen no umare for the bass-koto<\/span><\/i><\/p>\n

SHOSTAK\u00d3VICH, Dmitri<\/span>\u00b7<\/b> Eleg\u00eda y Polka<\/span><\/i><\/p>\n

SHOSTAK\u00d3VICH, Dmitri <\/span>\u00b7<\/b> Dos piezas para cuarteto de cuerda<\/span><\/i><\/p>\n

SHOSTAK\u00d3VICH, Dmitri <\/span>\u00b7 <\/b>La plaza del palacio<\/span><\/i><\/p>\n

SHOSTAK\u00d3VICH, Dmitri <\/span>\u00b7 <\/b> Sinfon\u00eda n\u00ba 11 en sol menor, op. 103, <\/span>El a\u00f1o 1905<\/span><\/i><\/p>\n

SHOSTAK\u00d3VICH, Dmitri <\/span>\u00b7 <\/b> Tr\u00edo n. \u00ba2<\/span><\/p>\n

SILVESTRINI, Gilles <\/span>\u00b7 <\/b>Cuarteto para flauta y cuerda<\/span><\/p>\n

SILVESTRINI, Gilles <\/span>\u00b7<\/b> 5 Estudios<\/span><\/p>\n

SILVESTRINI, Gilles <\/span>\u00b7<\/b> Paysage avec Pyrame et Thisb\u00e9<\/span><\/i><\/p>\n

SILVESTRINI, Gilles; ROSETO, Madonna del; VERONA, Stefano da <\/span>\u00b7<\/b> Horae volubiles<\/span><\/i><\/p>\n

SOKOLOVI\u0106, Ana <\/span>\u00b7 <\/b>Ciaccona<\/span><\/i><\/p>\n

SOKOLOVI\u0106, Ana <\/span>\u00b7 <\/b>Selections of songs<\/span><\/i><\/p>\n

SOLANA, Juan Jos\u00e9 <\/span>\u00b7<\/b> Sincron\u00edasu<\/span><\/i><\/p>\n

SOLARE, Juan Mar\u00eda <\/span>\u00b7 <\/b>Anamnesis<\/span><\/i><\/p>\n

SOLARE, Juan Mar\u00eda <\/span>\u00b7<\/b> Tres preludios arcaicos<\/span><\/i><\/p>\n

SOLLIMA, Giovanni <\/span>\u00b7<\/b> Alone<\/span><\/i><\/p>\n

SOLOVERA, Aliosha <\/span>\u00b7 <\/b>A due<\/span><\/i><\/p>\n

SOTELO, Mauricio <\/span>\u00b7 <\/b>Tres silencios de Luz<\/span><\/i><\/p>\n

SOTELO, Mauricio <\/span>\u00b7<\/b> Tirsa<\/span><\/i><\/p>\n

SOUTULLO, Eduardo <\/span>\u00b7 <\/b>Unfolding\/Reload<\/span><\/i><\/p>\n

SOUTULLO, Eduardo <\/span>\u00b7<\/b> Alisios<\/span><\/i><\/p>\n

SPRINTZ, Daniel <\/span>\u00b7 <\/b>Tr\u00edo<\/span><\/p>\n

STAUD, Johannes Maria <\/span>\u00b7 <\/b>Configurations\/Reflet<\/span><\/i><\/p>\n

STEINKOGLER, Siegfried <\/span>\u00b7 <\/b>Aguas hablando de cascadas rondas<\/span><\/i><\/p>\n

STEINKOGLER, Siegfried <\/span>\u00b7<\/b> Cadenza senza Concerto<\/span><\/i><\/p>\n

STEINKOGLER, Siegfried <\/span>\u00b7<\/b> On the Bridge<\/span><\/i><\/p>\n

STOCKHAUSEN, Karlheinz <\/span>\u00b7 <\/b>Kontrapunkte<\/span><\/i><\/p>\n

STOCKHAUSEN, Karlheinz <\/span>\u00b7 <\/b>Armonien<\/span><\/i><\/p>\n

STOCKHAUSEN, Karlheinz <\/span>\u00b7 <\/b>Klavierst\u00fcck XVI<\/span><\/i><\/p>\n

STOCKHAUSEN, Karlheinz <\/span>\u00b7<\/b> Tierkreis (12 melod\u00edas de los signos del zod\u00edaco)<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Berceuses du chat<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Concierto para dos pianos<\/span><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7<\/b> Dos poemas de Balmont<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7<\/b> Historia de un soldado<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7<\/b> La consagraci\u00f3n de la primavera<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7<\/b> La lune blanche<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Les cinq doigts<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Octeto de viento<\/span><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Pribaoutki<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Ragtime<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Renard<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Septeto<\/span><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Suite italiana<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7<\/b> Tres canciones de William Shakespeare<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Tres piezas para clarinete solo<\/span><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Tres piezas para cuarteto de cuerda<\/span><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7 <\/b>Tres poemas de la l\u00edrica japonesa<\/span><\/i><\/p>\n

STRAVINSKY, Igor <\/span>\u00b7<\/b> Un grand sommeil noir<\/span><\/i><\/p>\n

STUCKY, Steven <\/span>\u00b7 <\/b>Ad Parnassum<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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T<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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TAKEMITSU, T\u014dru <\/span>\u00b7<\/b> Air<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7 <\/b>And Then I Knew \u2019Twas Wind<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7<\/b> Between Tides<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7 <\/b>Hika<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7<\/b> Orion<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7<\/b> Pause ininterrompue<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7 <\/b>Quatrain I<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7 <\/b>Quatrain II<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7 <\/b>Rain Tree Sketch<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7 <\/b>Rain tree Sketch II<\/span><\/i><\/p>\n

TAKEMITSU, T\u014dru <\/span>\u00b7<\/b> Voice<\/span><\/i><\/p>\n

TALLGREN , Johan <\/span>\u00b7<\/b> Quatuor \u00e0 Royaumont<\/span><\/i><\/p>\n

TANADA, Fuminori <\/span>\u00b7<\/b> Sommerwind III<\/span><\/i><\/p>\n

TANADA, Fuminori <\/span>\u00b7 <\/b>V<\/span><\/i><\/p>\n

TARNOPOLSKI, Vladimir <\/span>\u00b7<\/b> Eindruck-Ausdruck. Hommage a Kandinsky (I y III versi\u00f3n)<\/span><\/i><\/p>\n

TEDESCO, Diego <\/span>\u00b7<\/b> Quinteto con percusi\u00f3n<\/span><\/i><\/p>\n

TELEMANN, Georg Philipp <\/span>\u00b7<\/b> Fantas\u00eda para oboe solo n.\u00ba 10 en fa sostenido menor<\/span><\/p>\n

TELEMANN, Georg Philipp <\/span>\u00b7<\/b> Fantas\u00eda para oboe solo n.\u00ba 12 en sol menor<\/span><\/p>\n

TELEMANN, Georg Philipp <\/span>\u00b7<\/b> Fantas\u00eda para oboe solo n.\u00ba 2 en la menor<\/span><\/p>\n

TELEMANN, Georg Philipp <\/span>\u00b7<\/b> Fantas\u00eda para oboe solo n.\u00ba 3 en si menor<\/span><\/p>\n

TELEMANN, Georg Philipp <\/span>\u00b7 <\/b>Fantas\u00eda para oboe solo n.\u00ba 6 en si menor<\/span><\/p>\n

TELEMANN, Georg Philipp <\/span>\u00b7<\/b> Fantas\u00eda para oboe solo n.\u00ba 8 en si menor<\/span><\/p>\n

TELEMANN, George Philip <\/span>\u00b7<\/b> Fantas\u00eda n.\u00ba 1, TWV 40:2<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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TELEMANN, George Philip <\/span>\u00b7<\/b> Fantas\u00eda n.\u00ba 4, TWV 40:5<\/span><\/p>\n

THEMESSL, Sebasti\u00e1n <\/span>\u00b7 <\/b>Uranus<\/span><\/i><\/p>\n

THIEBAUT, In\u00e9s <\/span>\u00b7<\/b> Promissus<\/span><\/i><\/p>\n

TIAN, Leilei <\/span>\u00b7<\/b> The Hymn of the Pearl<\/span><\/i><\/p>\n

TIHANYI, L\u00e1szl\u00f3 <\/span>\u00b7 <\/b>Summer Music<\/span><\/i><\/p>\n

TIHANYI, L\u00e1szl\u00f3 <\/span>\u00b7 <\/b>Schattenspiel<\/span><\/i><\/p>\n

TIZ\u00d3N, Manuel <\/span>\u00b7<\/b> Noesis O5<\/span><\/i><\/p>\n

TORRAS, Montserrat <\/span>\u00b7<\/b> El color de las mariposas<\/span><\/i><\/p>\n

TORRES Jes\u00fas <\/span>\u00b7 <\/b>Episodios<\/span><\/i><\/p>\n

TORRES, Jes\u00fas <\/span>\u00b7 <\/b>Altera Bestia<\/span><\/i><\/p>\n

TORRES, Jes\u00fas <\/span>\u00b7 <\/b>Cadencias<\/span><\/i><\/p>\n

TORRES, Jes\u00fas <\/span>\u00b7<\/b> Fugace<\/span><\/i><\/p>\n

TORRES, Jes\u00fas <\/span>\u00b7<\/b> Pentesilea<\/span><\/i><\/p>\n

TORRES, Jes\u00fas <\/span>\u00b7 <\/b>Po\u00e9tica<\/span><\/i><\/p>\n

TORRES, Jes\u00fas <\/span>\u00b7 <\/b>Presencias<\/span><\/i><\/p>\n

TORRES, Jes\u00fas <\/span>\u00b7 <\/b>Tr\u00edo de cuerda<\/span><\/p>\n

TORRES, Jes\u00fas <\/span>\u00b7 <\/b>Variaciones para violonchelo y piano<\/span><\/p>\n

TORRES, Jes\u00fas <\/span>\u00b7 <\/b>Fantas\u00eda<\/span><\/p>\n

TORRES-MALDONADO, Javier <\/span>\u00b7 <\/b>Figuralmusik I<\/span><\/i><\/p>\n

TURINA, Jos\u00e9 Luis <\/span>\u00b7<\/b> Cuarteto para piano<\/span><\/i><\/p>\n

TURINA, Jos\u00e9 Luis <\/span>\u00b7 <\/b>Fandanguillo<\/span><\/i><\/p>\n

TURINA, Jos\u00e9 Luis <\/span>\u00b7 <\/b>Kammerconcertante<\/span><\/i><\/p>\n

TURINA, Jos\u00e9 Luis <\/span>\u00b7<\/b> La commedia dell\u2019arte<\/span><\/i><\/p>\n

TURINA, Jos\u00e9 Luis <\/span>\u00b7 <\/b>Scherzo para un hobbit<\/span><\/i><\/p>\n

TURINA, Jos\u00e9 Luis <\/span>\u00b7 <\/b>T\u00famulo de la mariposa<\/span><\/i><\/p>\n

TURINA, Jos\u00e9 Luis <\/span>\u00b7 <\/b>Variaciones sobre dos temas de Scarlatti<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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U<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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URQUIZA, Mikel <\/span>\u00b7<\/b> Un lugar en Nueva Inglaterra en el que nunca he estado<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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V<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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VIERA, Julio Mart\u00edn <\/span>\u00b7<\/b> Pierrot en el bosque<\/span><\/i><\/p>\n

VIERA, Julio Mart\u00edn <\/span>\u00b7<\/b> Polifon\u00edas sobre un cantus firmus<\/span><\/i><\/p>\n

VADILLO, Eneko <\/span>\u00b7<\/b> Entrelacs<\/span><\/i><\/p>\n

VADILLO, Eneko <\/span>\u00b7<\/b> Sarab<\/span><\/i><\/p>\n

VADILLO, Eneko <\/span>\u00b7<\/b> Selene<\/span><\/i><\/p>\n

VAJDA, Gregory <\/span>\u00b7<\/b> Conversations with children<\/span><\/i><\/p>\n

VALLEJO, Polo <\/span>\u00b7<\/b> Latente -in-illo- tempore<\/span><\/i><\/p>\n

VALLEJO, Polo <\/span>\u00b7<\/b> Mimesis<\/span><\/i><\/p>\n

VALLEJO, Polo <\/span>\u00b7<\/b> Trama<\/span><\/i><\/p>\n

VAR\u00c8SE, Edgar <\/span>\u00b7<\/b> Density 21.5<\/span><\/i><\/p>\n

VAR\u00c8SE, Edgar <\/span>\u00b7<\/b> Octandre<\/span><\/i><\/p>\n

VAR\u00c8SE, Edgar <\/span>\u00b7<\/b> Po\u00e8me \u00c9lectronique<\/span><\/i><\/p>\n

VAR\u00c8SE, Edgar <\/span>\u00b7<\/b> Un grand sommeil noir<\/span><\/i><\/p>\n

VASKS, Peteris <\/span>\u00b7<\/b> Piesk\u0101rieni<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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VASSENA, Nadir <\/span>\u00b7<\/b> Materia Oscura<\/span><\/i><\/p>\n

V\u00c1ZQUEZ, Enrique <\/span>\u00b7<\/b> Bititza<\/span><\/i><\/p>\n

VERDI, Giuseppe <\/span>\u00b7<\/b> Cuarteto de cuerda en mi menor<\/span><\/p>\n

VERD\u00da, Carmen <\/span>\u00b7<\/b> Shadja<\/span><\/i><\/p>\n

VICTORIA, Tom\u00e1s Luis de <\/span>\u00b7<\/b> Domine no sum dignus<\/span><\/i><\/p>\n

VILA, Cirilo <\/span>\u00b7<\/b> Lun\u00e1tica<\/span><\/i><\/p>\n

VILLANUEVA, Fernando <\/span>\u00b7<\/b> Variaciones del aire II<\/span><\/i><\/p>\n

VINE, Carl <\/span>\u00b7<\/b> 5 bagatelle<\/span><\/i><\/p>\n

VINE, Carl <\/span>\u00b7<\/b> Inner World<\/span><\/i><\/p>\n

VLADIGU\u00c9ROV, Pancho <\/span>\u00b7<\/b> Suite b\u00falgara<\/span><\/i>, op. 21<\/span><\/p>\n

VON BINGEN, Hildegard <\/span>\u00b7<\/b> 2 Antiphonen<\/span><\/i><\/p>\n

VON BINGEN, Hildegard <\/span>\u00b7<\/b> O quam praetiosa<\/span><\/i><\/p>\n

VYTAUTAS TAN-GO <\/span>\u00b7<\/b> Germanavicius <\/span><\/i> <\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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W<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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WAGNER, Richard <\/span>\u00b7<\/b> Trist\u00e1n e Isolda<\/span><\/i><\/p>\n

WEBERN, Anton von <\/span>\u00b7<\/b> Tr\u00edo de cuerda<\/span><\/p>\n

WEBERN, Anton von <\/span>\u00b7 <\/b> Sinfon\u00eda, op. 21<\/span><\/p>\n

WEBERN, Anton <\/span>\u00b7 <\/b>Cinco Canciones sobre textos latinos<\/span><\/i>, op. 16<\/span><\/p>\n

WEBERN, Anton <\/span>\u00b7<\/b> Cuarteto, op. 22<\/span><\/p>\n

WEBERN, Anton <\/span>\u00b7<\/b> Cuatro piezas para viol\u00edn y piano, op. 7<\/span><\/p>\n

WEBERN, Anton <\/span>\u00b7 <\/b>Cinco movimientos, op.5<\/span><\/p>\n

WEBERN, Anton <\/span>\u00b7 <\/b> Concierto para nueve instrumentos, op. 24<\/span><\/p>\n

WEBERN, Anton <\/span>\u00b7 <\/b>Tres peque\u00f1as piezas <\/span><\/i> para violonchelo y piano, op. 11<\/span><\/p>\n

WEILL, Kurt <\/span>\u00b7 <\/b>Concierto para viol\u00edn e instrumentos de viento<\/span><\/p>\n

WEISS, Marcus <\/span>\u00b7<\/b> White Frames<\/span><\/i><\/p>\n

WEN, Deqing <\/span>\u00b7 <\/b>Divination<\/span><\/i><\/p>\n

WEN, Deqing<\/span> \u00b7 <\/b>Ronde des Pagodes<\/span><\/i><\/p>\n

WESSELMANN, Marcus Antonius <\/span>\u00b7 <\/b>Solo 10<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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WIDMANN, J\u00f6rg <\/span>\u00b7 <\/b>Air<\/span><\/i><\/p>\n

WIDMANN, J\u00f6rg <\/span>\u00b7 <\/b>\u00c9tudes I-III<\/span><\/i><\/p>\n

WIDMANN, J\u00f6rg <\/span>\u00b7 <\/b>Fantasie<\/span><\/i><\/p>\n

WIDMANN, J\u00f6rg <\/span>\u00b7 <\/b>Fieberphantasie<\/span><\/i><\/p>\n

WIDMANN, J\u00f6rg <\/span>\u00b7 <\/b>F\u00fcnf Bruchst\u00fccke<\/span><\/i><\/p>\n

WIDMANN, J\u00f6rg <\/span>\u00b7<\/b> Idyll und Abgrund<\/span><\/i><\/p>\n

WIDMANN, J\u00f6rg <\/span>\u00b7 <\/b>Nachtst\u00fcck<\/span><\/i><\/p>\n

WIDMANN, J\u00f6rg <\/span>\u00b7 <\/b>Labyrinth IV<\/span><\/i><\/p>\n

WIELECKI, Tadeusz <\/span>\u00b7 <\/b>Study of Gestures III<\/span><\/i><\/p>\n

WIELECKI, Tadeusz <\/span>\u00b7 <\/b>The Thread is Spinning\u2026 IV<\/span><\/i><\/p>\n

WILDBERGER, Jacques <\/span>\u00b7 <\/b>Cuarteto para flauta, clarinete, viol\u00edn y violonchelo<\/span><\/p>\n

WOLF, Hugo <\/span>\u00b7<\/b> Harfenspieler I, II y III<\/span><\/i><\/p>\n

WOZNY, Joanna Von <\/span>\u00b7<\/b> Verschwinden einer Landschaft <\/span><\/i> <\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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X<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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XENAKIS, Iannis <\/span>\u00b7 <\/b>Anaktoria<\/span><\/i><\/p>\n

XENAKIS, Iannis <\/span>\u00b7 <\/b>Palimpsest<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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XENAKIS, Iannis <\/span>\u00b7 <\/b>Rebonds<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Y<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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YSA\u0178E, Eugene <\/span>\u00b7<\/b> Sonata n.\u00ba 3<\/span> Ballada<\/span><\/i><\/p>\n

YSA\u0178E, Eugene <\/span>\u00b7 <\/b>Sonata n.\u00ba 2<\/span> Obsession<\/span><\/i><\/p>\n

YSA\u00ffE, Eug\u00e9ne <\/span>\u00b7<\/b> Sonata para viol\u00edn solo<\/span><\/p>\n

YOSHIZAWA KENGY<\/span>\u014c<\/span> \u00b7 <\/b>Natsu no kyoku<\/span><\/i><\/p>\n

YUHAS, Dan <\/span>\u00b7<\/b> Collisions<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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YUHAS, Dan <\/span>\u00b7<\/b> D\u00fao de viola y violonchelo<\/span><\/i><\/p>\n

YUHAS, Dan <\/span>\u00b7<\/b> Flashes<\/span><\/i><\/p>\n

YUHAS, Dan <\/span>\u00b7<\/b> Tenuot for violoncello and ensemble <\/span><\/i> <\/p>\n

YUN, Isang <\/span>\u00b7<\/b> Rencontre<\/span><\/i><\/p>\n

YUN, Isang <\/span>\u00b7 <\/b>Chinese Pictures<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Z<\/span><\/h2>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Z\u00c1RATE, Jos\u00e9 <\/span>\u00b7 <\/b>Fantas\u00eda<\/span><\/p>\n

Z\u00c1RATE, Jos\u00e9 <\/span>\u00b7 <\/b>Il bosco di Giarianno, Settimo quaderno<\/span><\/i><\/p>\n

ZAVALA, Mercedes <\/span>\u00b7 <\/b>Plural Endings<\/span><\/i><\/p>\n

ZAVALA, Mercedes<\/span> \u00b7 <\/b>Variaciones en blanco<\/span><\/i><\/p>\n

ZEAMI <\/span>\u00b7 <\/b>A part of Noh yashima<\/span><\/i><\/p>\n

ZEMLINSKY, Alexander von <\/span>\u00b7 <\/b> Sinfonietta, op. 23<\/span><\/i><\/p>\n

ZENDER, Hans <\/span>\u00b7 <\/b>Trifolium<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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ZIMMERMANN, Bernd Alois<\/span> \u00b7<\/b> Enchiridion <\/span><\/i>(selecci\u00f3n)<\/span><\/p>\n

ZIMMERMANN, Bernd Alois<\/span> \u00b7 <\/b>Sonata para viol\u00edn solo<\/span> <\/span><\/i><\/p>\n

ZOHN-MULDON, Ricardo<\/span> \u00b7 <\/b>yo no \/ t\u00fa s\u00ed \/ yo t\u00fa \/ s\u00ed no<\/span><\/i><\/p>\n

ZOHN-MULDON, Ricardo <\/span>\u00b7 <\/b>El puente<\/span><\/i><\/p>\n

ZOHN-MULDOON, Ricardo <\/span>\u00b7 <\/b>Candelabra<\/span><\/i><\/p>\n

ZOUHAR, V\u00edt<\/span> \u00b7<\/b> Six pianos<\/span><\/i><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Repertoire Download repertoire PDF A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A ABRAHAMSEN, Hans \u00b7 Winternacht AD\u00c1MEK, Ondrej \u00b7 Sinuous voices ADAMS, John \u00b7 Chamber Symphony AD\u00c8S, Thomas \u00b7 Catch, Op. 4 AD\u00c8S, Thomas \u00b7 Court […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":9560,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9668","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/pages\/9668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/comments?post=9668"}],"version-history":[{"count":1,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/pages\/9668\/revisions"}],"predecessor-version":[{"id":9669,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/pages\/9668\/revisions\/9669"}],"up":[{"embeddable":true,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/pages\/9560"}],"wp:attachment":[{"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/media?parent=9668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}