{"id":11577,"date":"2024-05-29T06:36:14","date_gmt":"2024-05-29T06:36:14","guid":{"rendered":"https:\/\/pluralensemble.com\/portfolio\/polyphony-of-composers-ii\/"},"modified":"2024-07-14T09:10:11","modified_gmt":"2024-07-14T09:10:11","slug":"polyphony-of-composers-ii","status":"publish","type":"portfolio","link":"https:\/\/pluralensemble.com\/en\/portfolio\/polyphony-of-composers-ii\/","title":{"rendered":"Polyphony of Composers II"},"content":{"rendered":"\t\t
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“The present record brings together two masters of the so-called Generation of ’51<\/em> (now in their eighties and fiveties) and two others of the more recent generation (those in their sixties). <\/p>\n

A disciple of Conrado del Campo, Crist\u00f3bal Halffter (1930-2021) belongs to a dynasty of names in Spanish music (his uncles Rodolfo and Ernesto, a disciple of Falla); Luis de Pablo (1930-2021), a student of Max Deutsch, carried out a transcendental work of diffusion through Alea, <\/em>a philharmonic society dedicated to the promotion of avant-garde music and founded in 1964 the first Spanish laboratory of electronic music.<\/p>\n

Both are prominent members of the group of creators who drastically renewed the composition after the cultural and political isolation in which the country had been left as a result of the triumph of the fascist insurrection of 1936. Halffter has German ancestors, Panisello (1963) is from Buenos Aires, but has lived in Madrid for more than a decade. De Pablo is from Bilbao (and Madrid by adoption since the forties) and S\u00e1nchez Verd\u00fa (1968), from Algeciras, but a resident of Berlin (and Madrid) and professor of composition in D\u00fcsseldorf […].” <\/p>\n<\/p>\n

Jos\u00e9 Luis T\u00e9llez<\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t

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Polyphony of Composers II<\/span><\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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composer<\/span><\/h3><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fabi\u00e1n Panisello <\/span><\/strong>
Luis de Pablo <\/span><\/strong>
Crist\u00f3bal Halffter <\/span><\/strong>
Jos\u00e9 Mar\u00eda S\u00e1nchez-Verd\u00fa <\/span><\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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interpreters<\/span><\/h3><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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PluralEnsemble<\/strong><\/span><\/p>

Conductor<\/strong><\/span><\/p>

Fabi\u00e1n Panisello<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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I. Three pieces for piano – <\/i><\/b><\/span>
Fabi\u00e1n Panisello <\/i><\/b>1997 -2000<\/span><\/span>
I. I don’t feel low <\/span>
II. Japanese pictures <\/span>
III. Fulgurar<\/span>

II. Drawings – Luis de Pablo <\/i><\/b>1979<\/span><\/span>
for flute, clarinet, violin and cello<\/span><\/span>

III. Four poems for Alejandra Pizarnik – Fabi\u00e1n Panisello <\/i><\/b>1996<\/span><\/span>
for soprano, viola and piano<\/span><\/span>

IV. L’Ineluttabile destino di ogni cosa – Fabi\u00e1n Panisello <\/i><\/b>2003 <\/span><\/span>
for flute, clarinet, violin, viola, violoncello and piano<\/span><\/span>


V. Sonata – Crist\u00f3bal Halffter <\/i>
<\/b>1959 <\/span><\/span>
for violin<\/span><\/span>

VI. Deploratio II – Jos\u00e9 Mar\u00eda S\u00e1nchez-Verd\u00fa <\/i><\/b>2001-2002 <\/span><\/span>
for flute and violoncello<\/span><\/span>

VII. Trio II – Fabi\u00e1n Panisello <\/i><\/b>1996 <\/span><\/span>
for violin, violoncello and piano<\/span><\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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“The present record brings together two masters of the so-called Generation of ’51 (now in their eighties and fiveties) and two others of the more recent generation (those in their sixties). A disciple of Conrado del Campo, Crist\u00f3bal Halffter (1930-2021) belongs to a dynasty of names in Spanish music (his uncles Rodolfo and Ernesto, a […]<\/p>\n","protected":false},"author":6,"featured_media":7898,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","portfolio-category":[157],"portfolio-tag":[],"class_list":["post-11577","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-discography"],"_links":{"self":[{"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/portfolio\/11577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/comments?post=11577"}],"version-history":[{"count":8,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/portfolio\/11577\/revisions"}],"predecessor-version":[{"id":12317,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/portfolio\/11577\/revisions\/12317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/media\/7898"}],"wp:attachment":[{"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/media?parent=11577"}],"wp:term":[{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/portfolio-category?post=11577"},{"taxonomy":"portfolio-tag","embeddable":true,"href":"https:\/\/pluralensemble.com\/en\/wp-json\/wp\/v2\/portfolio-tag?post=11577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}