{"id":11585,"date":"2024-05-29T06:25:02","date_gmt":"2024-05-29T06:25:02","guid":{"rendered":"https:\/\/pluralensemble.com\/portfolio\/sculthorpe-spirits-of-place\/"},"modified":"2024-07-13T16:19:05","modified_gmt":"2024-07-13T16:19:05","slug":"sculthorpe-spirits-of-place","status":"publish","type":"portfolio","link":"https:\/\/pluralensemble.com\/en\/portfolio\/sculthorpe-spirits-of-place\/","title":{"rendered":"Sculthorpe: Spirits Of Place"},"content":{"rendered":"\t\t
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“For an imaginative child growing up in Tasmania in the 1930s, the island of Lilliput he read about in Jonathan Swift’s Gulliver’s Travels <\/em> was not some supposed antipode half a world away. In Swift’s own estimation, it was just north of the Tasmanian coast, perhaps on the other side of the horizon, impalpable, intangible but almost within reach….<\/p>\n

Peter Sculthorpe, Australia’s most revered composer, is not a religious man, but he has felt intensely the spiritual power of the invisible. Educated in a rural town in Australia’s southernmost island state, he is aware of being surrounded by an unusually rich array of spirits, both present… and absent…”.<\/p>\n<\/p>\n

Graeme Skinner<\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t

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Spirits Of Place<\/span><\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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composer<\/span><\/h3><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Peter Sculthorpe<\/span><\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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interpreters<\/span><\/h3><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Soloists<\/span><\/strong>
Ema Alexeeva, viol\u00edn <\/span>
David Apell\u00e1niz, violoncello <\/span>

Guest Artist<\/strong><\/span>
Ananda Sukarlan, piano<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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I. From Irkanda III <\/strong><\/em>1961\/99<\/span>
para viol\u00edn, violoncello y piano<\/span>

II. Mountains <\/strong><\/em>1981 <\/span>
para piano<\/span>

III. From Saibai <\/strong><\/em>1993 <\/span>
para viol\u00edn y piano<\/span>

IV. Night Pieces <\/strong><\/em>1970\/71 <\/span>
para piano<\/span>

V. Djilile <\/strong><\/em>1986 <\/span>
para violoncello y piano<\/span>

VI. Little Passacaglia <\/strong><\/em>2004<\/span>
para piano<\/span>

VII. Sometimes when I’m dreaming <\/strong><\/em>2002 <\/span>
para piano<\/span>

VIII. Irkanda I <\/strong><\/em>1955 <\/span>
para viol\u00edn<\/span>

IX. Four little pieces <\/strong><\/em>1979 <\/span>
para dos pianos<\/span>

X. Night song <\/strong><\/em>1995 <\/span>
para viol\u00edn, violoncello y piano<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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