{"id":11593,"date":"2024-05-29T06:09:25","date_gmt":"2024-05-29T06:09:25","guid":{"rendered":"https:\/\/pluralensemble.com\/portfolio\/jose-luis-turina-chamber-music\/"},"modified":"2024-07-15T16:46:51","modified_gmt":"2024-07-15T16:46:51","slug":"jose-luis-turina-chamber-music","status":"publish","type":"portfolio","link":"https:\/\/pluralensemble.com\/en\/portfolio\/jose-luis-turina-chamber-music\/","title":{"rendered":"Jose Luis Turina. Chamber Music"},"content":{"rendered":"\t\t
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“The Verso label dedicates its second compact disc to the figure of Jos\u00e9 Luis Turina (1952). Although the first one was entitled Portrait<\/em>, its content probably did not complete the picture of the composer’s personality; that is why we now offer an essential recording made up of significant chamber pieces in which we can see the fruit of a close relationship with performers who know and know how to transmit the keys of the composer’s style in order to establish a communication with the listener.<\/p>\n

Turina is part of a generation of musicians whose training included both the scholastic teachings and the modernity of the avant-garde coming from Darmstadt, but also the example of alternative and anti-academic musical manifestations. His not at all precocious incorporation into the world of creation allowed him to escape the rigor of serialism and to feel more free, without considering himself tied to any aesthetic line, to integrate apparently irreconcilable influences and to focus his interest on embracing diverse materials, both classical and characteristic of the avant-garde”.<\/p>\n<\/p>\n

Bel\u00e9n P\u00e9rez Castillo<\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t

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Chamber Music<\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Jose Luis Turina<\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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PluralEnsemble<\/strong><\/p>

Alicia Suescun, flauta<\/span>
Ana Ruiz, oboe\u00a0<\/span>
Carmen Dom\u00ednguez, clarinete
Tommaso Lonquich, clarinete<\/span>
Enrique Abargues, fagot<\/span>
El\u00edas Monchol\u00ed, trompa <\/span>
Ema Alexeeva, viol\u00edn <\/span>
Margarita Sikoeva, viol\u00edn <\/span>
Ana Mar\u00eda Alonso, viola <\/span>
David Apell\u00e1niz, violoncello<\/span>
Michal Dmochowski, violoncello<\/span>
Pablo Muzquiz, contrabajo<\/span>
Alberto Rosado, piano <\/span>
Alina Artemyeva, piano<\/span><\/p>

<\/span><\/span>Conductor<\/span><\/strong><\/span><\/p>

Fabi\u00e1n Panisello<\/span><\/p>

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I. Variaciones sobre dos temas de Scarlatti <\/span><\/strong><\/em>1985<\/span><\/em><\/span>
para flauta, oboe, clarinete, viol\u00edn, <\/span>viola y violoncello<\/span><\/em>

II. T\u00edtulo a determinar <\/strong><\/em>1980<\/span><\/em>
para clarinete, trompa, fagot, viol\u00edn, viola, violoncello y contrabajo<\/span><\/em>

III-V. Cuarteto con Piano <\/strong><\/em>1990<\/span><\/em>
para viol\u00edn, viola, violoncello y piano<\/span><\/em>

VI. Kammerconcertante <\/strong><\/em>1988 <\/span><\/em>
para flauta en sol, clarinete bajo, viol\u00edn, viola, violoncello y contrabajo<\/span><\/em>

VII. T\u00famulo de la Mariposa <\/strong><\/em>1991<\/span><\/em>
para clarinete\/clarinete bajo, violoncello y piano<\/span><\/em>

VIII. Scherzo para un hobbit <\/strong><\/em>1997 <\/span><\/em>
para clarinete, fagot, viol\u00edn, violoncello y piano<\/span><\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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